Tolkien probably did Gandalf that way in order to later describe and illustrate the lower areas of Moria. There is a long scene in The Worm Ourobros where Goldy Bruzco or one of the other heros goes on an epic journey through the roots of a mountain, I think on the back of a pegasus.
The Tolkien scene was a great hit with other writers. Stephen Donalson recreates it in one of the Thomas Covenant books, Brooks recreates it in the first Sword of Shanarra book. and I think Eddings used it in the Belgriad series also. There is one of these too in the Dragonbone Chair, where the magician-sage immolates himself, there is a passive one in the Wheel of Time.
I call it a "leaving scene." They are great, becuase they either start a journey, or begin a chase. Passive leaving scenes are always with vague feeligns of foreboding, or that the enemy is coming, as in the two kids who get on the horse and flee to the capitial or Rohan in the Two Towers.
Actie ones are when the arrows are actually flying, or a Balrog is chasing you through a tunnel. Looking at it through this perspective, The Fellowship of The Ring is nothing more than a long chain of passive or active leaving scenes and their aftermath.
So when Syrio Forel fell, it was Arya's "leaving scene," and he started Aya Stark's twisted run away from King's Landing toward I guess, Harrenhall (an ugly place to run to.)
"Tolkien made the wrong choice when he brought Gandalf back. Screw Gandalf. He had a great death and the characters should have had to go on without him."
Tolkien wanted to inject a "mysterious power" scene later into Two Towers, akin to Lewis' Aslan resurrection scene in The Lion, the Witch and the Wardrobe. And obviously, Gandalf had more to do and got some other great scenes in the rest of the books. I don't think Syrio has that kind of a powerful push behind him, so he is probably dead.
I don't know what he would say if he was brought back suddenly, "I have returned, on the tide of the storm, because Ser Meryn does not understand the Deep Magic. You may now call me Syrio the White."
I don't know about that. I have a feeling he missed his saving throw like so many other good characters.
IN AN EDIT: MAY CONTAIN SPOILER
Wait, there is one way this could work, but Martin is not that into the themes he writes about to see it.
Syrio the White appears to Arya Stark and says he is a faceless man. He then goes on to explain the mysterious Character X as the cult and power of the Stranger. Both the Songs of Ice and Fire disrupt the natural supremecy of The Death God, by creating life from death, and by preventing true death. Thus the Silent Master has now entered into battle with the other two factions to restore the balence of death and life.
Arya must become a faceless man and destroy the other two factions. Syrio hands her a red colored lightsaber and tells her to go forth and do his bidding. "Yes, my master," she replies.
DUH! DUT DUH DAA! DUT, DUT DAA DAAAHHH! DUT DAA DAAAHHH! DUT DUH DAA! DAAAHHH!
DUT DUT DUT DUH DAA, DUT DAA! DUT DUT DUT DUH DAA, DUT DAA!
DUH! DUT DUH DAA! DUT, DUT DAA DAAAHHH!
Edited by SecretSquirrel, 11 September 2010 - 02:56 PM.