Like Wert, I recently dove into Sanderson's
Mistborn books.
A Dribble of Ink said:
Though not free of cliche, it’s clear from the get-go that Sanderson wants to put his own spin on the typical Fantasy story, to make a point that we haven’t necessarily seen it all. Yeah, at its heart, The Final Empire is about bringing down the oppressive Lord Ruler, but it’s the details that count, and Sanderson’s details are tight. The big hook is that Sanderson’s Dark Lord is not a faceless demon, hellbent of taking over the world, rather he already controls it, and has for 1,000 years (natch). Even more interesting is the fact that Sanderson’s Dark Lord, before he came to rule… was once the Hero of Ages, prophecised to defeat a mysterious force called The Deepness, and save the world. Something, however, went very wrong.
[...]
My biggest regret (and something I hope will be addressed in later volumes) is that Sanderson didn’t get more philosophical about the (no doubt) addictive qualities of what amounts to a drug that grants super-human strength, washes away weariness, enhances every sense and even allows the user to manipulate the emotions of those around them. Even Terry Brooks was addressing the ideas of addictive magic, over 20 years ago, and it seemed like a missed opportunity on Sanderson’s part.
Which brings me around to one of the general inconsistencies of the novel. Sanderson’s prose is safe and easy, but fails to capture the ruthlessness that one might expect from an ash-choked empire crushed under the iron fist of a ruthless dictator for a millenium. Slavery abounds, mass executions take place just to prove a point, rape is whispered about… and yet Sanderson somehow manages, through use of PG-rated language, to make the novel feel safe. It’s a disappointment that Sanderson’s prose wasn’t able to better challenge the unique, oppressive nature of his world and characters.
[...]
Prophecy plays a big role in The Final Empire, and Sanderson plays cleverly with the idea of history and information warping as time passes and it filters through the hands of those in power. The first volume doesn’t touch on this aspect as much as I would have liked, but a particular scene during the rip-roarin’ climax suggests that it will be an important element through the final two volumes of Mistborn.
As someone who was introduced to Fantasy through Terry Brooks, R.A. Salvatore and J.R.R. Tolkien, it’s nice to find a book that reminds me of those early, exciting days of discovering the genre. I suppose the best thing I can say for it is that The Wheel of Time fans have nothing to worry about; with his charming characters, great grasp on how magic is supposed to work, and easy-to-read prose, Sanderson is surely setup to complete Jordan’s series as well as anyone writing. For the first time since Joe Abercrombie’s The First Law trilogy, I’m excited at the idea of continuing on with a series, instead of hitting that towering pile of books, littered with other authors waiting to be read.
You can find the full review
HERE, if interested.