Paul Kemp leaving Forgotten Realms novel line
#1
Posted 05 November 2009 - 08:37 AM
I wonder what happened there? Kemp has been evasive and WotC has, as far as I know, said nothing on the subject yet, so we're left to good ol' fashioned speculation. My guesses:
1) Money. As the popular saying does, "it's always about the money."
2) Contractual differences between WotC and Kemp. Perhaps WotC wanted Kemp to write/not write something which Kemp disagreed with. Or maybe WotC wanted him to sign some long-term contract that he didn't want and walked away from, much like what once happened with R.A. Salvatore.
3) An inability on Kemp's part to write the story and/or characters he wanted to within the framework of 4th edition, and a refusal to compromise on those subjects.
#3
Posted 05 November 2009 - 09:51 AM
Stego, on Nov 5 2009, 09.37, said:
Are you implying that shared-world fiction is inferior to original fiction? I'll be the first to admit that a lot of shared-world fantasy novels, especially in the Dragonlance line, are crap, but the same applies to a lot of original fantasy fiction. And I know I'd rather read R.A. Salvatore's latest Drizzt book than Terry Goodkind's latest novel.
#4
Posted 05 November 2009 - 09:58 AM
It might be hard to languish in a literary ghetto wherein no one thinks much of you, despite any and all success.
#5
Posted 05 November 2009 - 11:04 AM
Stego, on Nov 5 2009, 09.58, said:
From who? So-called literary
Quote
Maybe you're right. Hopefully, Salvatore is able to salve his pride with the paychecks he gets from his many bestselling Drizzt novels and the support of his many, many fans.
#6
Posted 05 November 2009 - 11:09 AM
#7
Posted 05 November 2009 - 11:17 AM
In general, I'm stoked by the announcement. I'm looking forward to readin his new stuff (hopefully) in his own worlds. He has a Star Wars novel coming out soon, I hope this doesn't mean he's moving from one shared world to another.
I don't have anything against shared world fiction in principle, it's just that most of the shared worlds don't intrigue me enough to delve into them. I don't play roleplaying games and haven't cared for any of the Star Wars expanded universe (with the exception of the Thrawn trilogy). If I had an inkling of the setting around Kemp's Star Wars novel, I'd definately give it a read.
#8
Posted 05 November 2009 - 12:20 PM
#9
Posted 05 November 2009 - 12:41 PM
GRRM has never lacked love from critics. Arguing that losing to a phenomenon like HP correlates in any way simply shows ignorance.
I am not dismissing Kemp's talent. I'm ignorant of it. But he is writing in a ghetto, and has little chance of any sort of respect until he leaves it.
#12
Posted 05 November 2009 - 12:54 PM
I can't think of too many well-known authors whose pen names aren't really known. I doubt he's John Twelve Hawks.
#16
Posted 05 November 2009 - 01:33 PM
I do maintain, however, that authors tend to yearn for the acceptance and respect of their peers.
#19
Posted 05 November 2009 - 01:55 PM
Stego, on Nov 5 2009, 12.41, said:
Ah, the sweet smell of condescension... The Hugos are voted by the members of Worldcon, who, while perhaps not breathing the same rarefied air as Literary Elite such as yourself, have enough interest in sci-fi and fantasy literature to go to the effort and expense of attending the convention. They almost certainly, on average, have a lot more knowledge and appreciation of fantasy fiction than Joe Q. Public. And yet, HP won over what many believe to be the best book of ASOIAF. There may have been a lot of critical support for ASoS and GRRM, but in the end it was not enough to overcome the popular support for HP.
And in the end, even if they'd like to have the respect of their peers, I'll bet that most authors, if offered a choice, would prefer their novel to be a bestseller over it winning a Hugo. As Littlefinger said to Ned, you cannot eat pride.
This post has been edited by Krafus: 05 November 2009 - 01:57 PM
#20
Posted 05 November 2009 - 02:04 PM

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