For me, this was one of those cases where I totally understand what people don't like about the books and I completely see all those problems myself, as I read them - and I still don't care. I still really enjoyed them. In fact, I totally loved them, warts and all.
Like, I'd groan outloud as Larsson's obvious fantasy version of himself, Bloomqvist, beds another woman or pulls off some giant, improbable journalistic victory - but it didn't really lower my opinion on the readability of the book. Same thing goes for the long descriptions of Salandar's Powerbook or her shopping decisions from Ikea. Read them, rolled my eyes, and then kept going because I just enjoyed the ride overall.
Not sure why they're such a HUGE hit, but seriously, I could read a hundred of these books. And there's something to that. Larsson's characters and his world were just really easy to get lost in. The mysteries were enjoyable and the action well thought out, for the most part.
I think it's totally possible for books to be massively entertaining without being transcendent. Movies and TV fit that bill all the time. To me, reading the Larsson books was probably closest to watching the Bourne movies with Matt Damon or a marathon of a really solid crime procedural show. It's not going to revolutionize the way you think about the medium or anything, but if done well, you can thoroughly enjoy it for what it is.
I watched the Swedish version of GWTDT and thought it was about as good as a film adaptation could be possibly be. Hopefully the US version doesn't completely suck. For me, taking the book out of Sweden would ruin at least half of what I loved about the book, but who knows?
Anyway, the legal estate fight between Larsson's family is actually almost as fascinating a story as the books themselves. There's a good article on it here,
NYT - The Afterlife of Steig Larsson.
Quote
Larsson died without leaving a will. Like a great many Swedish couples, he and Gabrielsson never married — she was his sambo, as the Swedes say, his live-in companion — and they had no children. Oddly, Sweden, that model of social liberalism, has no provision for common-law marriage, the way many American states do, and so Larsson’s father and younger brother, who are not particularly literary, got everything: the rights to his books, the money, even half of the apartment that Larsson and Gabrielsson shared. This has made Gabrielsson, a complicated and fascinating character in her own right, an object of intense sympathy in Sweden, where seemingly everyone has an opinion about how Larsson’s estate should have been divided.
Legally Gabrielsson has no claim, but she has asserted a kind of moral entitlement. She also has a crucial piece of the Larsson legacy: a laptop computer containing roughly three-quarters of a fourth novel. According to Gabrielsson, in 2005 the Larssons offered to give her Stieg’s half of the apartment in return for the laptop. She refused, calling the offer extortion, and they eventually relented, very likely under the weight of public opinion, and let her have the whole apartment for nothing. Last November, they told a journalist that they were willing to settle the dispute for 20 million kronor, or roughly $2.6 million. Gabrielsson didn’t respond.
I'd be happier if I could actually just read the 4th book, or what's done of it - but from the looks of Larsson's estate fights, it doesn't seem likely soon.