Women, Men, SFF part deux
#121
Posted 11 April 2012 - 11:47 AM
#122
Posted 11 April 2012 - 12:02 PM
sciborg2, on 11 April 2012 - 10:19 AM, said:
Dear god....
I hope you know you made me reread that thread to see where that happened. You should feel bad about that.
#123
Posted 11 April 2012 - 12:13 PM
#124
Posted 11 April 2012 - 12:20 PM
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While reading the OP, I kept thinking back to a passage from the Handmaid's Tale:
"My red skirt is hitched up to my waist, though no higher. Below it the Commander is fucking. What he is fucking is the lower part of my body. I do not say making love, because this is not what he's doing. Copulating too would be inaccurate, because it would imply two people and only one is involved. Nor does rape cover it: nothing is going on here that I haven't signed up for." (page 94)
I don't think anyone in a modern context would condone their relationship, but Shae knew exactly what she was signing up for.
#125
Posted 11 April 2012 - 10:38 PM
#126
Posted 11 April 2012 - 11:12 PM
#128
Posted 12 April 2012 - 09:15 AM
Kalbear, on 11 April 2012 - 11:14 PM, said:
This was good, as she parsed out exploitation vs. honest examination. These can of course overlap, intentionally or unintentionally, as we have with Bakker (IMO) unintentionally fumbling with his critique.
We'll see though, after TUC he did say he would be more open about what he was trying to do...
#129
Posted 12 April 2012 - 11:56 AM
#130
Posted 12 April 2012 - 12:11 PM
Kalbear is saying that if someone can miss the point of The Handmaid's Tale there's little hope the people Bakker intended to reach will notice the subtext he's written.
I was noting that upon the release of TUC Bakker said he would be more forthright about what his intended messages were. For the record he has said that two issues he was looking at are biological wiring and the question of whether modernity gave women more rights because the world is more egalitarian now or if it was an economic decision.
On some level, the latter argument seems to have some merit given what we've seen regarding bills proposed or passed in varied state legislatures.
Edited by sciborg2, 12 April 2012 - 12:11 PM.
#131
Posted 13 April 2012 - 06:41 AM
sciborg2, on 12 April 2012 - 12:11 PM, said:
You know, interestingly, I think Bakker lost around 80% of the female readership on this board during the "Bakker and women" debate (or maybe even before that). It's rather ironic considering he was going for a feminist subtext, but an overwhelming majority of his readership consists of men, many of them not the least bit interested in feminist subtext.
Edited by Lyanna Stark, 13 April 2012 - 06:41 AM.
#132
Posted 13 April 2012 - 08:45 AM
(In all seriousness, it's kinda sad that he scares off female readers. I once told him that when a defense against sexism reads like evidence pointing to the original charge, one should rethink strategy.)
#133
Posted 13 April 2012 - 09:22 AM
sciborg2, on 13 April 2012 - 08:45 AM, said:
(In all seriousness, it's kinda sad that he scares off female readers. I once told him that when a defense against sexism reads like evidence pointing to the original charge, one should rethink strategy.)
Yes, I have thought about that a lot, since well, it does interest me a lot that writers try their hand at feminist critique. So I wondered why, in this case, it has failed so badly to attract female readers to it based on those merits.
My main issue is that it's missing the mark because reading through the novels (the first three mind you), it doesn't convey the feeling that women are treated as inferiors because society is unfair at all, but because women are de facto inferior and should be treated as lesser humans since this is only right and proper (and I agree, having read it, and the way women are described in Bakker world, they are inferior to the men in almost every possible way). I have a hard time seeing this as "feminist critique" if this was indeed the point, since well, women are treated as inferior in real life as well. What is the point of making it an objective truth in a work of fiction, when to almost every woman out there, it is an objective truth today as well. Less so for us priviliged western women to be sure, but it's still very much there and present. And not showing many signs of going away.
Then you have the choice of three female characters: one incest rape alien and two whores, which I think a lot of women had a very hard time understanding. The selection is puzzling, to say the least.
So all in all, it feels a bit like being hit with a blunt instrument when what you need is a scalpel.
Edited by Lyanna Stark, 13 April 2012 - 09:23 AM.
#134
Posted 13 April 2012 - 09:28 AM
#135
Posted 13 April 2012 - 09:49 AM
Have there been any good feminist takes on Erikson, btw? Felisin and her character arc, despite featuring abuse and degradation, seemed to be well-regarded by women readers (on this board anyway) but I've seen a lot of anger towards later perceived misogynistic plot turns (particularly Hetan's arc in Dust of Dreams, which was overloaded with WTF).
Edited by Werthead, 13 April 2012 - 09:51 AM.
#136
Posted 13 April 2012 - 09:52 AM
Edited by Kalbear, 13 April 2012 - 09:53 AM.
#137
Posted 13 April 2012 - 10:09 AM
I think my issue with Bakker (ok, i've only read TDTCB. But y'all talk about it so much...) isn't so much his overarching thesis (or even the way he's trying to go about proving it, in theory) but that it's kind of a ridiculously dated take on feminism. Well done, you've deconstructed the attitude of the Bible to women. The bible is three thousand years old, y;know? By his twentieth novel, maybe he'll have something to say about the suffragettes!
In going there, he's using sexualization, objectification, rape culture, gender essentialism and female marginalization to get his messages about female equality across. So he's doing fine service to medieval Islamic or Catholic or whatever thought, (women - not inherently inferior by the will of God or Orginal Sin or whateverthefuck. Gosh, profound.) but he's totally flunking the actual issues 21st century feminism is about.
#138
Posted 13 April 2012 - 10:16 AM
Reading that book I thought he was so worried about the "fairytale" ending that his ending seemed clumsy and forced. I feel like Bakker made the same error.
One thing I think male authors have trouble with is cues to the reader that this is not a support-of-sexism tract. Alex McFarlane had a good review of Le Guin that talks about this.
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Heh, I decided to stay out of Bakker's latest PR disaster. It's exhausting and I see little point in trying to keep him from his continual train wreck.
I think Arthmail might have said it best when he said no book survives the autobiography of the author.
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Good point actually, it's like a pro-female argument that would be great if we could fling the books back into a time machine.
All that said, Bakker does do some interesting stuff with male infatuation in the later books, and the confusion in fantasy with beauty and virtue. The man has talent, but his larger feminist
Bakker does best when
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Erikson has a lot of powerful women, but he does pull out the "raped woman must be avenged by man but then woman forgives rapists" tale. Good point on Felisin.
You could also make the argument that Erikson's women are strong because they are warriors or mages, never because they are team builders (again, Mina in Moore's League or even Scandal Savage in Simone's Secret Six who is warrior and team builder), mothers, etc.
So we never acknowledge the value of traditionally feminine roles, and instead present strength as bravado/machismo. Now I do think that there is more to Erikson than that, and I've only read up to Toll the Hounds, but I think the criticism is there. I think he also uses too many femme fatale or "psycho bitch" characters.
Edit: My views on Erikson are based on reading the books years ago, so I readily admit it's an impression that is flawed.
Edited by sciborg2, 13 April 2012 - 10:18 AM.
#140
Posted 13 April 2012 - 10:22 AM
Prince Alexander, on 13 April 2012 - 10:17 AM, said:






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