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I think I've said it before, but I'll say it again: however much I like Michelle Fairley (I think she's terrific), the writers have not done Catelyn Stark justice, not from episode one and on. My hopes that she'd become more like the character in the novel later in the first season never quite transpired, and I've grown increasingly frustrated with the way they've handled her this season. And so I'm at the point where to some degree I'm looking forward to the Red Wedding so that they can put Catelyn out of the picture and I don't have to keep wincing every time they make the character on the show less and less compelling.
It really is this cut and dry. The changes to her character
would make sense had Catelyn not been a
fully fleshed out character in the books. That is simply not the case. If her motivations and behavior had been at all vague or muted in presentation, the changes make sense. As I think everyone can agree this was/is not the case, the decision to reduce Catelyn to a bland, sexless, diluted "MOTHER" archetype insults me, personally, and to a certain extent, suggests that the producers either A) don't care for the character, or

misinterpret the character, neither case being one I would spend a good deal of time defending, on a board or in discussions with people I watch with.
And this
misinterpretation has been there from episode one....removal of "It should have been you," her wanting Ned to be The Hand, her refusal to allow Jon Snow to stay, god forbid we have a scene where she might reflect on post-coital "aching loins," and my personal favorite, Catelyn cowering against a rock while Tyrion protects her versus she slices the throat of a clansman threatening Tyrion. Every scene subsequent to that wherein her empowering book dialogue is given to everyone else in an effort to build those characters for TV viewership, read: one victory does not make us conquerors, etc., or the additional actions, while somewhat badass, read: punching Jaime with a rock, make her appear somehow less than the whole, reactionary, trite, a shadow of the original.
It isn't so much that we
hate what D&D have done, or that we believe that the character has been
gutted so much as the discontent that I, and apparently many others feel, that stems from the overall theme that Catelyn is a throwaway POV character, whose motivations, beliefs, and actions are only significant as they relate or define another character's, those characters who the producers have decided are more worthy or interesting or fundamentally better. I do not agree. Period. It is also insulting to me personally, and I freely admit this, that the "MOTHER" archetype is defined by D&D for HBOGoT as intellectually inferior, overly emotional, subject to inconsistencies in thought and action, and every other manner of cliche applicable. I will state again, it is a testament to Michelle Fairley, and her alone, that anyone even bothers with a thread on the subject of Catelyn, and not in any way evidence of the skill which with D&D have chosen to present her.
THAT SAID: I'm really hoping, HOPING (!), that D&D have chosen to present Catelyn as a passive cliche of motherhood/womanhood, whatever, as a means to truly define how powerless women in general are in Westeros, as I believe they have successfully done with other female characters. In this, she truly represents what Cercei reflects on when stating (to Sansa I think) don't love anyone because that love will make you do ridiculous things for those you love; you can't help but love your children, regardless of father, but in the end, it will kill you just the same. Taking that theme, applying it to Catelyn better illustrates how loyal and loving she is, and defines her transformation to SH as even more disturbing
because she has become that animal that loved too much, tried too hard, wanted and wanted, ultimately denied, and who, without any self imposed boundries, gives leave to her previous notions in favor of revenge, pure, true, and just. It could be fantastically awesome. Or, it can wither on the vine.