Ran, on 06 June 2012 - 09:35 AM, said:
So basically, all the change really covers three "new" scenes -- dragon theft, murder of the Thirteen, hiding out in an abandoned palace.
Yes, but you were also calling out the show before we even got to Qarth. I understand your frustration with XXD and the loss of "intrigue" with the 13, but your red flags were waving high
long before any of these alterations happened. All the pre-airing material seem to be the supposedly complex "fairy tale" of Qarth, yet you were berating it every step of the way. I understand you know the production better than we do, but you made it out to seem like it simply wasn't the way
you imagined it and thus it could not be successful.
Ran, on 06 June 2012 - 09:35 AM, said:
Were I them, I would have structured it with an ep seven scene showing Xaro increasingly agitated and annoyed with Dany, and her turning to Pyat Pree. Episode 8, House of the Undying. Episode 10, Dany's last chapter -- parting ways with Xaro, assassination attempt, Arstan (with or without Belwas), departure for some place new.
The issue with ending it like this is that it's not a cliff-hanger, it's just confusing. Season 1 also had the liberty that they could end introducing characters in order to properly pave way for the world to open up. Having Belwas show up (a character who ultimately has little to do with the plot) would mean booking an actor as well as reintroducing and ending the assassination sub-plot that hasn't been mentioned all season.
I also don't understand why the theft of the dragons is really that much of a hit to the entire storyline. If anything, it's an improvement over a vague promise from Pyat Pree. The original storyline, I guess, deals with Dany's naivity. However, because of her older age and the places her storyline is likely to go, the show has focused more on her blinding loyalty to what makes her the true heir. In this way, the dragons being stolen makes sense as a temptation, and the
entire HotU scene focused around that temptation. That is not a failure in storytelling.