thistlepong, on 21 January 2013 - 10:04 AM, said:
kingofashes, on 21 January 2013 - 05:55 PM, said:
Durckad, on 21 January 2013 - 08:58 PM, said:
Triskele, on 21 January 2013 - 09:11 PM, said:
The only possible thing I can say in its defense is that it was the 60's and it played some part in forming genre literature.
I'm sorry if I've contributed to making this thread into a Dune commentary.
peterbound, on 21 January 2013 - 08:44 PM, said:
And Ep... really? This you like?
I've been working my way through the Hugo winners for best novel, rereading where I must and otherwise reading some stuff I'd never have picked up. Then I hit Dune, which, at least this time through, feels like one of their shields. I think I singed the pages reading through it (cough) years ago. Whahoppen?
Anyway, spew your vituperative bile, peterbound.
Dune: Threat or Menace? To reread or retire.
#1
Posted 21 January 2013 - 09:48 PM
#2
Posted 21 January 2013 - 10:49 PM
That said, I can reread God Emperor of Dune more than once. I find I get more out of it every time.
#3
Posted 21 January 2013 - 10:52 PM
Full disclosure: I only just got around to reading Dune in the last few months finishing it in late 2012. I thought it sucked pretty hard. There were plenty of great ideas, but the execution was what threw me. Spice? Desert planet? Empire? Spice guild? KH? BG? AotK? Suits that spare water? Worms? Thopters? Thumpers? All of that stuff was fine if not cool or inventive. But it just didn't work. It was, as a novel, something that I would suspect that most professors would mark the shit out of w/ a red pen. It seemed like a nascent OK idea that publisher had not cleaned up or something.
#4
Posted 21 January 2013 - 11:04 PM
I read it like 10 years ago (and the next ... I think 4 books?) and was not super impressed. I remember some interesting ideas, but the whole thing was opaque and I thought hte prose and dialogue were pretty bad.
I've been conducting a project of "reread shit that's famous but I didn't like when I read it like 10 years ago" recently and Dune and LOTR and MS&T are at the top of the list. We shall see how it goes this time.
#5
Posted 21 January 2013 - 11:26 PM
#6
Posted 21 January 2013 - 11:31 PM
Maybe that's part of the style and appeal of the book, but it did not appeal to me.
#7
Posted 22 January 2013 - 12:21 AM
#8
Posted 22 January 2013 - 01:22 AM
#9
Posted 22 January 2013 - 06:15 AM
#10
Posted 22 January 2013 - 08:47 AM
#11
Posted 22 January 2013 - 09:48 AM
Is the writing different than current novels? Yes.
Are the ideas more original and deeper than most stuff being pumped out? Yes.
Do those ideas feel a bit diluted because so many books have ripped off those ideas in the last 50 years? Yes.
If you read Dune, just know that your'e reading a classic. Like Great Gatsby, Frankenstein, Macbeth, and Beowulf.
Like Lord of the Rings.
Don't expect an engaging character study as written by Martin, or whomever. But much of what you're reading now is built on the shoulders of Herbert (and Tolkien, and Fitzgerald, and Shelly, and
Edited by Myrddin, 22 January 2013 - 11:12 AM.
#12
Posted 22 January 2013 - 03:08 PM
Edited by PetrusOctavianus, 22 January 2013 - 03:15 PM.
#13
Posted 22 January 2013 - 03:32 PM
I suppose overall I found it flawed, if you can cope with or over look it's weaker elements then there is plenty to enjoy, it seems to me to be classic big ideas SF. Equally I can quite understand that some readers may find the weaker aspect dominate the reading experience for them.
#14
Posted 22 January 2013 - 05:01 PM
Is it worse to try to make interesting characters and fail than not to try? I don't know, from an artistic value standpoint, but as a reader, it was always in my way as a source of annoyance. And overall, it made the SFF elements less "believable" to me. You can tell me flat out that some crazy weird things are true in your story, and I'll believe you most times. You can convince me into the world through characters and worldbuilding, great. But if I start doubting the veracity of the characters as characters, I lose belief in the world as well. Because I "believe in" Bilbo Baggins, I can believe that he's a hobbit who lives in a world full of dwarves, elves, giant spiders and dragons. I mean, of course he does. And because I never really "believe in" Paul or Jessica or Leto, I always see spice, worms, etc. as being fictional constructs.
So it's not really a book I can say is "bad", just that I didn't enjoy reading it.
#15
Posted 22 January 2013 - 05:15 PM
I enjoyed them greatly.
#16
Posted 22 January 2013 - 06:36 PM
#17
Posted 22 January 2013 - 09:39 PM
Mlle. Zabzie, on 22 January 2013 - 06:36 PM, said:
Was I even eighteen? I may have finished it in one long sitting. I was engrossed. At this point, though, I wouldn't recommend the reread. I'll keep the thread posted as I go, though.
Myrddin, on 22 January 2013 - 09:48 AM, said:
Is the writing different than current novels? Yes.
Are the ideas more original and deeper than most stuff being pumped out? Yes.
Do those ideas feel a bit diluted because so many books have ripped off those ideas in the last 50 years? Yes.
If you read Dune, just know that your'e reading a classic. Like Great Gatsby, Frankenstein, Macbeth, and Beowulf.
Like Lord of the Rings.
Don't expect an engaging character study as written by Martin, or whomever. But much of what you're reading now is built on the shoulders of Herbert (and Tolkien, and Fitzgerald, and Shelly, and
Yah, I' accustomed to moving backwards and dusting off where this comes from or where that intersected an author. I also managed to grapple with Dune early in my SF life. Like I said, I thoroughly enjoyed it. It's not that the style is different. It's really not. He uses some smerps and deploys a ten dollar word here and there, but the language is otherwise plain. If anything's jarring it's the unmarked shifts from perspective to perspective. Since they're resolved almost immediately, it ends up being merely annoying that they're unmarked. Perhaps what you mean is that nowadays the perspective shift would be apparent because it would appear different when read; the characters would be realized in ways that highlighted a shifts from lens to lens.
The ideas were engaging the first time. There's just nothing new the second time. I remember everything and, if I didn't, he's telling me explicitly what's going to happen three or four different ways. Ultimately that may be my big issue. It was an indelible book that's now suffering due to it own staying power.
#18
Posted 23 January 2013 - 01:05 AM
ShowOverBooks, on 22 January 2013 - 05:15 PM, said:
I know that if they are anything like the Amber "prequels" then they don't exist as far as I am concerned.







