Mladen
-
Posts
18,073 -
Joined
Content Type
Profiles
Forums
Articles
Posts posted by Mladen
-
-
The 2023 Writers Guild Of America (WGA) Winners
SpoilerORIGINAL SCREENPLAY
- “Air,” Written by Alex Convery; Amazon MGM Studios
- “Barbie,” Written by Greta Gerwig & Noah Baumbach; Warner Bros. Pictures
- “The Holdovers,” Written by David Hemingson; Focus Features
- “May December,” Screenplay by Samy Burch, Story by Samy Burch & Alex Mechanik; Netflix
- “Past Lives,” Written by Celine Song; A24
ADAPTED SCREENPLAY
- “American Fiction,” Screenplay by Cord Jefferson, Based upon the novel Erasure by Percival Everett; Amazon MGM Studios
- “Are You There God? It’s Me, Margaret.,” Screenplay by Kelly Fremon Craig, Based on the book by Judy Blume; Lionsgate
- “Killers of the Flower Moon,” Screenplay by Eric Roth and Martin Scorsese, Based on the book by David Grann; Apple Original Films
- “Nyad,” Screenplay by Julia Cox, Based on the book Find a Way by Diana Nyad; Netflix
- “Oppenheimer,” Screenplay by Christopher Nolan, Based on the book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer by Kai Bird and Martin J. Sherwin; Universal Pictures
DOCUMENTARY SCREENPLAY
- “Bella!,” Written by Jeff L. Lieberman; Re-Emerging Films
- “It Ain’t Over,” Written by Sean Mullin; Sony Pictures Classics
- “The Pigeon Tunnel,” Written by Errol Morris; Apple Original Films
- “Stamped from the Beginning,” Written by David Teague, Based on the book Stamped From the Beginning by Dr. Ibram X. Kendi; Netflix
- “What the Hell Happened to Blood, Sweat & Tears?,” Written by John Scheinfeld; Abramorama
-
That time of the year...
Do remind me... Who has gone to the same school as Eurovision winner?
As for Serbia... Boy, did we take it too seriously this year. The whole selection process was hilariously ludicrous. There were even announcements of protests. But, luckily, it ended with two drunk guys embarrassing themselves.
And the winner is Teya Dora, best known for her hit "Džanum," which went viral on TikTok in 2023.
Her winning song, "Ramonda," draws inspiration from the Natalie's Ramonda flower, an endemic plant with the remarkable ability to sustain life with just a single drop of water. Ramonda has become a symbol of fallen Serbian soldiers in WWI and is worn as a token of remembrance in November, much like the British red poppy flower. The song is about finding light in darkness, surviving even in toughest circumstances, bringing hope.
The song is absolutely beautiful, blending clear influences from artists like Billie Eilish and Loreen, with the appropriate touch of Serbian spirit. Overall, very proud of her... Wishing her all the best!
-
British Academy (BAFTA) Television Awards Nominations
SpoilerComedy Entertainment
- “The Graham Norton Show” — Graham Norton, Graham Stuart, Jon Magnusson, Toby Baker, Catherine Strauss, Pete Snell – So Television / BBC One
- “Late Night Lycett” — Production team at Rumpus Media, My Options Were Limited / Channel 4
- “Rob & Romesh Vs” — Danielle Lux, Murray Boland, Jack Shillaker, Bill Righton, David Taylor, Graham Proud – CPL Productions / Sky Max
- “Would I Lie to You?” — Peter Holmes, Rachel Ablett, Jake Graham, Zoe Waterman, Liz Clare, Barbara Wiltshire – Zeppotron / BBC One
Current Affairs
- “Inside Russia: Traitors and Heroes (Storyville) — Paul Mitchell, Anastasia Popova, Mikhail Kozyrev, Daria Olevskaya, Monica Garnsey, Emma Hindley – BBC News World Service, Ronachan Films / BBC Four
- “Putin vs. The West” — Norma Percy, Tim Stirzaker, Lucy Hetherington, Lotte Murphy-Johnson, Max Stern – Brook Lapping / BBC Two
- “Russell Brand: In Plain Sight (Dispatches)” — Production team at Hardcash Productions / Channel 4
- “The Shamima Begum Story (This World)” — Joshua Baker, Sara Obeidat, Sasha Joelle Achilli, Sarah Waldron, Simon McMahon, Mustafa Al-Ali – BBC Current Affairs / BBC Two
Daytime
- “Loose Women and Men” — Production team at ITV Studios Daytime / ITV1
- “Lorraine” — Production team at ITV Studios Daytime / ITV1
- “Make It at Market” — Martin Connery, Aman Mistry, Iain Robson, Kim Merrick, Lauren Elliott, Andrew Snowball – Flabbergast TV / BBC One
- “Scam Interceptors” — Production team at BBC Studios Documentary Unit / BBC One
Drama Series
- “The Gold” — Production team at Tannadice Pictures / BBC One
- “Happy Valley” — Sally Wainwright, Sarah Lancashire, Jessica Taylor, Faith Penhale, Will Johnston, Fergus O’Brien – Lookout Point, AMC / BBC One
- “Slow Horses” — Saul Metzstein, Will Smith, Jane Robertson, Jamie Laurenson, Hakan Kousetta, Iain Canning – See-Saw Films / Apple TV+
- “Top Boy” — Production team at Cowboy Films / Netflix
Entertainment
- “Hannah Waddingham: Home for Christmas” — Hannah Waddingham, Hamish Hamilton, Katy Mullen, Moira Ross, Raj Kapoor, Nick Todisco – Done + Dusted / Apple TV+
- “Later… With Jools Holland” — Production team at BBC Studios / BBC Two
- “Michael McIntyre’s Big Show” — Christian Fletcher, Dan Baldwin, James Pratt, Lisa Kirk, Sarah Mittell, Simon Staffurth – Hungry McBear / BBC One
- “Strictly Come Dancing” — Production team at BBC Studios / BBC One
Entertainment Performance
- Anthony McPartlin and Declan Donnelly, “I’m a Celebrity… Get Me Out of Here!” — Lifted Entertainment / ITV1
- Big Zuu, “Big Zuu’s Big Eats” – Boom, Big Productions / Dave
- Graham Norton, “The Graham Norton Show” – So Television / BBC One
- Hannah Waddingham, “Eurovision Song Contest 2023” – BBC Studios / BBC One
- Joe Lycett, “Late Night Lycett” – Rumpus Media, My Options Were Limited / Channel 4
- Rob Beckett and Romesh Ranganathan, “Rob & Romesh Vs” – CPL Productions / Sky Max
Factual Entertainment
- “Celebrity Race Across the World” — Production team at Studio Lambert / BBC One
- “The Dog House” — Production team at Five Mile Films / Channel 4
- “Endurance: Race to the Pole” — Alexis Girardet, Mike Warner, Adam Bullmore, Martin Long – October Films / Channel 5
- “Portrait Artist of the Year” — Production team at Storyvault Films / Sky Arts
Factual Series
- “Dublin Narcos” — Benedict Sanderson, Claire McFall, Sacha Baveystock, Edmund Coulthard, Megan Taylor, Laura Dunne – Blast! Films / Sky Documentaries
- “Evacuation” — Production team at Wonderhood Studios / Channel 4
- “Lockerbie” — Nancy Strang, John Dower, Claire McFall, Barnaby Fry, Dejan Cancar, Charlie Hawryliw – Mindhouse Productions / Sky Documentaries
- “Once Upon a Time in Northern Ireland” — Production team at KEO Films, Walk On Air Films / BBC Two
Female Performance in a Comedy
- Bridget Christie, “The Change” – Expectation / Channel 4
- Gbemisola Ikumelo, “Black Ops” – BBC Studios, Mondo Deluxe Productions / BBC One
- Máiréad Tyers, “Extraordinary” – Sid Gentle Films / Disney+
- Roisin Gallagher, “The Lovers” – Drama Republic / Sky Atlantic
- Sofia Oxenham, “Extraordinary” – Sid Gentle Films / Disney+
- Taj Atwal, “Hullraisers” – Fable Pictures / Channel 4
International
- “The Bear” — Christopher Storer, Joanna Calo, Josh Senior, Matty Matheson, Tyson Bidner – FX Productions / Disney+
- “Beef” — Lee Sung Jin, Steven Yeun , Ali Wong, Jake Schreier, Ravi Nandan, Alli Reich – A24 / Netflix
- “Class Act” — Bruno Nahon, Tristan Séguela, Olivier Demangel, Laurent Lafitte – de Passe Entertainment / Netflix
- “The Last of Us” — Production team at Sony Pictures Television Studios, PlayStation Productions, Naughty Dog, Word Games, The Mighty Mint, HBO / Sky Atlantic
- “Love & Death” — Production team at Lionsgate, David E. Kelley Productions, Blossom Films, Texas Monthly / ITVX
- “Succession” — Production team at Project Zeus, Hyberobject Industries, Gary Sanchez Productions, Hot Seat Productions, HBO / Sky Atlantic
Leading Actor
- Brian Cox, “Succession” – Project Zeus, Hyberobject Industries, Gary Sanchez Productions, Hot Seat Productions, HBO / Sky Atlantic
- Dominic West, “The Crown” – Left Bank Pictures / Netflix
- Kane Robinson, “Top Boy” – Cowboy Films / Netflix
- Paapa Essiedu, “The Lazarus Project” – Urban Myth Films / Sky Max
- Steve Coogan, “The Reckoning” – ITV Studios / BBC One
- Timothy Spall, “The Sixth Commandment” – Wild Mercury Productions, True Vision / BBC One
Leading Actress
- Anjana Vasan, “Demon 79” (“Black Mirror”) – Broke & Bones / Netflix
- Anne Reid, “The Sixth Commandment” – Wild Mercury Productions, True Vision / BBC One
- Bella Ramsey, “The Last of Us” – Sony Pictures Television Studios, PlayStation Productions,, Naughty Dog, Word Games, The Mighty Mint, HBO / Sky Atlantic
- Helena Bonham Carter, “Nolly” – Quay Street Productions / ITVX
- Sarah Lancashire, “Happy Valley” – Lookout Point, AMC / BBC One
- Sharon Horgan, “Best Interests” – AC Chapter One / BBC One
Limited Drama
- “Best Interests” — Production team at AC Chapter One / BBC One
- “Demon 79” (“Black Mirror”) — Charlie Brooker, Richard Webb, Jessica Rhoades, Bisha K. Ali, Annabel Jones, Toby Haynes – Broke & Bones / Netflix
- “The Long Shadow” — George Kay, Lewis Arnold, Matt Sandford, Sarah Lewis, Sacha Szwarc, Willow Grylls – New Pictures / ITV1
- “The Sixth Commandment” — Derek Wax, Brian Woods, Sarah Phelps, Saul Dibb, Frances du Pille – Wild Mercury Productions, True Vision / BBC One
Live Event Coverage
- “The Coronation Concert” — Production team at BBC Studios / BBC One
- “Eurovision Song Contest 2023” — Production team at BBC Studios / BBC One
- “Royal British Legion Festival of Remembrance” — Production team at BBC Studios / BBC One
Male Performance in a Comedy
- Adjani Salmon, “Dreaming Whilst Black” – Big Deal Films, A24 / BBC Three
- David Tennant, “Good Omens” – BBC Studios, Narrativia, The Blank Corporation / Prime Video
- Hammed Animashaun, “Black Ops” – BBC Studios, Mondo Deluxe Productions / BBC One
- Jamie Demetriou, “A Whole Lifetime With Jamie Demetriou” – Guilty Party Pictures / Netflix
- Joseph Gilgun, “Brassic” – Calamity Films / Sky Max
- Mawaan Rizwan, “Juice” – Various Artists Limited / BBC Three
News Coverage
- Channel 4 News: “Inside Gaza: Israel and Hamas at War” — Esme Wren, Federico Escher, Helene Cacace, Matt Frei, Secunder Kermani, Millicent Teasdale – ITN / Channel 4
- Sky News: “Inside Myanmar — The Hidden War” — Production team at Sky News
- Sky News: “Israel-Hamas War” — Production team at Sky News
Reality
- “Banged Up” — Production team at Shine TV / Channel 4
- “Married at First Sight U.K.” — Danielle Lux , Murray Boland, Rachel Viner, Susy Price, James Kayler, Dermot Caulfield – CPL Productions / E4
- “My Mum, Your Dad” — Production team at Lifted Entertainment / ITV1
- “Squid Game: The Challenge” — Stephen Lambert, Tim Harcourt, John Hay, Nicola Brown, Toni Ireland, Stephen Yemoh – Studio Lambert / Netflix
Scripted Comedy
- “Big Boys” — Jack Rooke, Jim Archer, Bertie Peek, Ash Atalla, Alex Smith – Roughcut TV / Channel 4
- “Dreaming Whilst Black” — Thomas Stogdon, Dhanny Joshi, Adjani Salmon, Ali Hughes, Nicola Gregory, Yemi Oyefuwa – Big Deal Films, A24 / BBC Three
- “Extraordinary” — Sally Woodward Gentle, Lee Morris, Charlie Palmer, Emma Moran, Abíólá Rufai-Awójídé, Sam Leifer – Sid Gentle Film / Disney+
- “Such Brave Girls” — Kat Sadler, Simon Bird, Catherine Gosling Fuller, Jack Bayles, Phil Clarke – Various Artists Limited / BBC Three
Short Form
- “Mobility” — Jack Carroll, Thomas Gregory, Akaash Meeda, David Simpson, Sam Ward – Tiger Aspect Productions / BBC Three
- “The Skewer: Three Twisted Years” — Production team at Unusual / BBC iPlayer
- “Stealing Ukraine’s Children: Inside Russia’s Camps” — Production team at VICE UK / VICE News
- “Where It Ends” — Jack Robertson, Fergal Costello, Sam Ward, David Simpson – Tiger Aspect Productions / BBC Three
Single Documentary
- “David Holmes: The Boy Who Lived” — Dan Hartley, Kevin Konak, Simon Chinn, Jonathan Chinn, Vanessa Davies, Amy Stares – Lightbox / Sky Documentaries
- “Ellie Simmonds: Finding My Secret Family” — Jasleen Sethi, David Thompson, Colleen Flynn, Kathryn Jein, Nick Underhill – Flicker Productions / ITV1
- “Hatton” — Daniel Dewsbury, Paul Yoshida, Sam Bergson, Ian Davies, John McKenna – Noah Media Group, Sky Studios / Sky Crime
- “Vjeran Tomic: The Spider-Man of Paris” — Jamie Roberts, Dan Reed – Amos Pictures / Netflix
Soap
- “Casualty” — Production team at BBC Studios / BBC One
- “Eastenders” — Production team at BBC Studios / BBC One
- “Emmerdale” — Production team at ITV Studios / ITV1
Specialist Factual
- “Chimp Empire” — James Reed, Matt Houghton, Callum Webster, Matt Cole – KEO Films, Underdog Films / Netflix
- “The Enfield Poltergeist” — Jerry Rothwell , Al Morrow, Stewart le Maréchal, Nicole Stott, Jonathan Silberberg, Davis Guggenheim – MetFilm, Concordia Studio / Apple TV+
- “Forced Out” — Production team at Dragonfly / Sky Documentaries
- “White Nanny, Black Child” — Andy Mundy-Castle, Natasha Dack Ojumu, Rochelle Newman, Zeb Achonu, Ross Leppard, Rachael McLean-Anderson – Doc Hearts, TigerLily Productions, BFI / Channel 5
Sports Coverage
- “Cheltenham Festival Day One” — Richard Willoughby, Paul McNamara, Mark Demuth, Bridget Toomey, Rob Oldham, Dionne Robinson-Smith, Andrew Hill – ITV Sport / ITV1
- “MOTD Live: FIFA Women’s World Cup 2023” — Production team at IMG / BBC One
- “Wimbledon 2023 Men’s Final” — Production team at BBC Sport, Wimbledon Broadcast Services / BBC One
Supporting Actor
- Amit Shah, “Happy Valley” – Lookout Point, AMC / BBC One
- Éanna Hardwicke, “The Sixth Commandment” – Wild Mercury Productions, True Vision / BBC One
- Harris Dickinson, “A Murder at the End of the World” — FX Productions / Disney+
- Jack Lowden, “Slow Horses” – See-Saw Films / Apple TV+
- Matthew MacFadyen, “Succession” – Project Zeus, Hyberobject Industries, Gary Sanchez Productions, Hot Seat Productions, HBO / Sky Atlantic
- Salim Daw, “The Crown” – Left Bank Pictures / Netflix
Supporting Actress
- Elizabeth Debicki, “The Crown” – Left Bank Pictures / Netflix
- Harriet Walter, “Succession” – Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions, HBO / Sky Atlantic
- Jasmine Jobson, “Top Boy” – Cowboy Films / Netflix LESLEY MANVILLE The Crown – Left Bank Pictures / Netflix
- Nico Parker, “The Last of Us” – Sony Pictures Television Studios, PlayStation Productions, Naughty Dog, Word Games, The Mighty Mint, HBO / Sky Atlantic
- Siobhan Finneran, “Happy Valley” – Lookout Point, AMC / BBC One
P&O Cruises Memorable Moment Award (voted for by the public)
- “Beckham”: David teases Victoria about her ‘working class’ upbringing – Studio99, Ventureland / Netflix
- “Doctor Who”: Ncuti Gatwa being revealed as the 15th Doctor – Bad Wolf, BBC Studios Productions / BBC One
- “Happy Valley”: Catherine Cawood and Tommy Lee Royce’s final kitchen showdown – Lookout Point, AMC / BBC One
- “The Last of Us”: Bill and Frank’s Story – Sony Pictures Television Studios, PlayStation Productions, Naughty Dog, Word Games, The Mighty Mint, HBO / Sky Atlantic
- “The Piano”: 13-year-old Lucy stuns commuters with jaw dropping piano performance – Love Productions / Channel 4
- “Succession”: Logan Roy’s death – Project Zeus, Hyberobject Industries, Gary Sanchez Productions, Hot Seat Productions, HBO / Sky Atlantic
CRAFT AWARDS:
Costume Design
- Amy Roberts, “The Crown” (Episode 8) – Left Bank Pictures / Netflix
- Charlotte Morris, “Silo” – AMC Studios / Apple TV+
- Matthew Price, “Demon 79” (“Black Mirror”) – Broke & Bones / Netflix
- Sharon Long, “The Great” – Civic Center Media, MRC / Lionsgate+
Director — Factual
- Gesbeen Mohammad, “Inside Iran: The Fight for Freedom (Exposure)” – Hardcash Productions / ITV1
- James Bluemel, “Once Upon a Time in Northern Ireland” – KEO Films, Walk On Air Films / BBC Two
- John Dower, “Lockerbie” – Mindhouse Films / Sky Documentaries
- Peter Beard and Bruce Fletcher, “Otto Baxter: Not a F***ing Horror Story” – Story Films, Archface Films / Sky Documentaries
Director — Fiction, sponsored by 3 Mills Studios
- Joseph Bullman, “Partygate” – Halcyons Heart Films / Channel 4
- Lewis Arnold, “The Long Shadow” (Episode 6) – New Pictures / ITV1
- Peter Hoar, “The Last of Us” – Sony Pictures Television Studios, PlayStation Productions, Naughty Dog, Word Games, The Mighty Mint, HBO / Sky Atlantic
- William Stefan Smith, “Top Boy” (Episode 6) – Cowboy Films / Netflix
Director — Multi-Camera
- Julia Knowles, “An Audience With Kylie” – Lifted Entertainment, BMG / ITV1
- Julia Knowles, “The Coronation Concert” – BBC Studios / BBC One
- Nikki Parsons, Ollie Bartlett and Richard Valentine, “Eurovision Song Contest 2023” – BBC Studios / BBC One
- Paul McNamara, “FA Cup Final” – ITV Sport / ITV1
Editing — Factual
- Charlie Hawryliw, “Lockerbie” – Mindhouse Films / Sky Documentaries
- Editing team, “Once Upon a Time in Northern Ireland” – KEO films, Walk On Air Films / BBC Two
- Editing team, “Formula 1: Drive to Survive” – Box to Box Films / Netflix
- Michael Harte, “Beckham” – Studio 99, Ventureland / Netflix
Editing — Fiction
- Alex Mackie, “Time” – BBC Studios / BBC One
- Joe Carey, “Happy Valley” (Episode 6) – Lookout Point, AMC / BBC One
- Sam Williams, “Slow Horses” (Episode 1) – See-Saw Films / Apple TV+
- Zsófia Tálas, “Slow Horses” (Episode 6) – See-Saw Films / Apple TV+
Emerging Talent — Factual
- Ben Cheetham (director), “Pete Doherty, Who Killed My Son?” – Five Mile Films / Channel 4
- Fola Evans-Akingbola and Jordan Pitt (directors), “Untold Stories: Hair on Set” – Good Girl Productions, One Umbrella Productions, Doc Hearts / Sky Documentaries
- Fred Scott (director), “London Bridge: Facing Terror” – Raw TV / Channel 4
- Ted Evans (director), “Rose Ayling-Ellis: Signs for Change” – Rogan Productions / BBC One
Emerging Talent — Fiction
- Andrew Bogle (writer) — Kirkmoore Fudge Park Productions / ITVX
- Haolu Wang (director), “Bodies” – Moonage Pictures / Netflix
- Kat Sadler (writer), “Such Brave Girls” – Various Artists Limited / BBC Three
- Mawaan Rizwan (writer), “Juice” – Various Artists Limited / BBC Three
Entertainment Craft Team, sponsored by Hotcam
- Diccon Ramsay, Paddy Fletcher, Rikki Finlay, James Tinsley, Mathieu Weekes and Ben Norman, “Squid Game: The Challenge” — Studio Lambert / Netflix
- Jamie Heath, Nick Harvey and Greg Menzel, “Banged Up” — Shine TV / Channel 4
- Julio Himede, Tim Routledge, Kojo Samuel, Michael Sharp and Dan Shipton, “Eurovision Song Contest 2023” — BBC Studios / BBC One
- Nigel Catmur, Tom Bairstow, Kevin Duff, Steve Nolan, Steve Sidwell and Simon Haw, “The Coronation Concert” — BBC Studios / BBC One
Make-Up and Hair Design, sponsored by ScreenSkills High-End Television Skills Fund
- Cate Hall, Emilie Yong-Mills and Fiona Rogers,”The Crown” (Episode 8) — Left Bank Pictures / Netflix
- Lisa Parkinson, “The Long Shadow” (Episode 6) – New Pictures / ITV1
- Lucy Sibbick, “Slow Horses” – See-Saw Films / Apple TV+
- Sharon Miller, Kym Menzies-Foster and Kelly Taylor, “Three Little Birds” – Tiger Aspect Productions, Douglas Road Productions / ITVX
Original Music — Factual
- Ed Harcourt, “Otto Baxter: Not a F***ing Horror Story” – Story Films, Archface Films / Sky Documentaries
- George Fenton, “Wild Isles” – Silverback Films / BBC One
- Simon Rogers, “A Time to Die” – True Vision / ITV1
- Simon Russell, “Once Upon a Time in Northern Ireland” – KEO Films, Walk On Air Films / BBC Two
Original Music — Fiction
- Adiescar Chase, “Heartstopper” – See-Saw Films / Netflix
- Atli Örvarsson, “Silo” – AMC Studios / Apple TV+
- Blair Mowat, “Nolly” – Quay Street Productions / ITVX
- Natalie Holt, “Loki” – Marvel Studios / Disney+
Photography — Factual
- Benedict Sanderson, “The Detectives: Taking Down an OCG” – Minnow Films / BBC Two
- Bertie Gregory, Tom Walker and Anna Dimitriadis, “Animals Up Close With Bertie Gregory” – Wildstar / Disney+
- Jean-Louis Schuller, “The Man Who Played With Fire” – Raw TV / Sky Documentaries
- Narayan Van Maele and Patrick Smith, “Dublin Narcos” – Blast! Films / Sky Documentaries
Photography and Lighting — Fiction
- Eben Bolter, “The Last of Us” – Sony Pictures Television Studios, PlayStation Productions, Naughty Dog, Word Games, The Mighty Mint, HBO / Sky Atlantic
- Ed Rutherford, “The Long Shadow” – New Pictures / ITV1
- Rik Zang, “The Sixth Commandment” – Wild Mercury Productions, True Vision / BBC One
- Stephan Pehrsson, “Demon 79” (“Black Mirror”) – Broke & Bones / Netflix
Production Design, sponsored by Microsoft
- Anna Higginson, “The Long Shadow” – New Pictures / ITV1
- Ben Smith, “Nolly” – Quay Street Productions / ITVX
- Gavin Bocquet and Amanda Bernstein, “Silo” – AMC Studios / Apple TV+
- Udo Kramer, “Demon 79” (“Black Mirror”) – Broke & Bones / Netflix
Scripted Casting
- Aisha Bywaters, “Three Little Birds” – Tiger Aspect Productions, Douglas Road Productions / ITVX
- Amy Hubbard, “Time” – BBC Studios / BBC One
- Amy Hubbard and Shannon Dowling-McNulty, “Smothered” – Roughcut Television / Sky Max
- Jina Jay, “Demon 79” (“Black Mirror”) – Broke & Bones / Netflix
Sound — Factual
- George Foulgham, Philip Moroz, Alex Gibson, Tom Verstappen and Adam Prescod, “If These Walls Could Sing” – Ventureland, Mercury Studios / Disney+
- Nick Ryan, Ben Baird, Kirstie Howell, Jack Wensley, Jamie McPhee and Alexej Mungersdorff, “The Enfield Poltergeist” – MetFilm, Concordia Studio / Apple TV+
- Sound team, “The Coronation of TM The King and Queen Camilla” – BBC Studios / BBC One
- Sound team, “Formula 1: Drive to Survive” – Box to Box Films / Netflix
Sound — Fiction
- Chris Ashworth, Lee Walpole, Stuart Hilliker, Martin Jensen, Saoirse Christopherson and Iain Eyre, “The Crown” – Left Bank Pictures / Netflix
- Jules Woods, James Drake, Oscar Bloomfield-Crowe and Paddy McGuirk, “Boiling Point” – Ascendant Fox, Matriarch Productions, It’s All Made Up Productions / BBC One
- Matthew Collinge, James Bain, Robert Farr, Tom Melling, Matt Davies and Alyn Sclosa, “The Witcher” – Netflix Original Series / Netflix
- Sound team, “Slow Horses” – See-Saw Films / Apple TV+
Special, Visual and Graphic Effects
- Andy Scrase, Patricia Llaguno, Beau Garcia, Oliver Winwood, Huw Evans and Jodie Davidson, “The Wheel of Time” – Little Island Productions / Prime Video
- Ben Turner, Reece Ewing, Framestore, Rumble VFX, Asa Shoul and Chris Reynolds, “The Crown” – Left Bank Pictures / Netflix
- Daniel Racuhwerger, Stefano Pepin, Richard Stanbury, Raphael Hamm and Ian Fellows, “Silo” – AMC Studios / Apple TV+
- Tim Crosbie, Caimin Bourne, Jet Omoshebi, Dan Weir, Cinesite and David Stephens, “The Witcher” – Netflix Original Series / Netflix
Titles and Graphic Identity
- Dan May, James Coore, Painting Practice and Realtime Visualisation — “Doctor Who” (“Wild Blue Yonder”) – Bad Wolf, BBC Studios Productions – BBC One
- Peter Anderson Studio, “Good Omens” – BBC Studios, Narrativia, The Blank Corporation / Prime Video
- Studio AKA, “Queen Charlotte” – Shondalandmedia / Netflix
- Tamsin McGee, Ben Hanbury, Hugo Moss and Paul McDonnell, “Wilderness” – Firebird Pictures, Amazon Studios UK, Nomadic Pictures / Prime Video
Writer — Comedy
- Jack Rooke, “Big Boys” – Roughcut Television / Channel 4
- Jamie Demetriou, “A Whole Lifetime With Jamie Demetriou” – BBC Studios Productions Comedy, Guilty Party Pictures / Netflix
- Kat Sadler, “Such Brave Girls” – Various Artists Limited / BBC Three
- Mawaan Rizwan, “Juice” – Various Artists Limited / BBC Three
Writer — Drama
- Charlie Brooker and Bisha K Ali, “Demon 79” (“Black Mirror”) – Broke & Bones / Netflix
- Jesse Armstrong, “Succession” – Project Zeus, Hyberobject Industries, Gary Sanchez Productions, Hot Seat Productions, HBO / Sky Atlantic
- Sally Wainwright, “Happy Valley” – Lookout Point, AMC / BBC One
- Sarah Phelps, “The Sixth Commandment” – Wild Mercury Productions, True Vision / BBC One
-
8 hours ago, Cashless Society said:
I get the feeling that the new batch of members aren't at all concerned with the whole spread the wealth outlook. Also, where any of this year's nominees as hyped as EEAAO? Because hype can get you additional awards, deserved or otherwise.
I've been waiting to write of the BAFTAs as a precursor ever since they announced that the winners are determined by a small select jury. Last year seemed like the start of it and yet somehow they bounced back.
True. Voting body is significantly different from 10 years ago. They added circa 4-5 thousand members and significantly changed the demographics (IIRC, in 2014. 97% of Academy was white, aged 65+). There is a reason why we call them dinosaurs.
Yeah, it seems the old "spread the wealth" doesn't work. That said. it should be noted that 8 out of 10 Best Picture nominees got at least one Oscar. Five movies divided 8 above-the-line categories. We have three foreign-language movies, three movies directed by women in Best Picture ten. Another thing - it's a generational thing. "Oscar movie" as we define it these days was coined during 2000s and 2010s, as well as "Oscar bait". However, we see Oscar bait failing - best example: Maestro. Simply, the new generation, the new Academy and by default - the new Oscar movie.
Yeah, OPPENHEIMER didn't win anything they weren't 100% predicted to win. Which means that even love for Oppy had its limits. Oppy wasn't as big as EEAAO in terms of award hype, despite two movies accumulating rather similar tally of awards.
As for BAFTA, no precursor, despite its name, serves to tell us who will win the Oscar. That's not their mission, despite public, peers and critics looking at them that way. I would argue that every award-giving body wants to have great overlap with the Oscars as it makes it "the most important". BAFTA was a separate universe last year, but this year it's like they made a point to prove their relevance. That said, it should be noted that Nolan is British, Murphy is Irish, POOR THINGS and THE ZONE OF INTEREST are British movies and ANATOMY OF A FALL is French movie, and those always bode well at BAFTA. So, this year may be that BAFTA members were more connected with movies in contention. We'll see the next one. But BAFTA is known to do its own thing from time to time.
-
3 minutes ago, Ran said:
Who won last year, I wonder? Nothing Christ-like about it. To win, you need to carry your movie, and when you are in less than a third of a film, much of it as a passive figure, you've got a big obstacle to arguing that you are carrying the movie.
Well, EEAAO is a Second Coming in terms of awards, as it is the most-awarded movie in history.
I will argue that Lily is a heart and soul of Killers of the Flower Moon. She may not be in it for the most part, but her scenes, her narrative makes such impression that this movie feels undoubtedly hers. But, that's just my impression of it.
5 minutes ago, Ran said:Above and beyond that, as you allude, Scorsese is repeatedly overlooked -- the Academy takes him for granted. Being the best actress in a Scorsese film is basically already entering with a strong handicap, not counting everything else against you. And then there's the argument from some that there was some category fraud, that she should have gone for Supporting Actress instead... though frankly Da'vine Joy Randolph simply had a meatier role and a better performance, so I wouldn't have expected Gladstone to win there, either.
I mean, throughout his career, Scorsese directed five Oscar-winning performances. Three male, two female. Yes, he makes male-centric movies, but he also knows how to direct a female actor into an Oscar winning role.
Lily had multiple handicaps, that is undeniable. For the reasons I stated, I don't think she belonged in Supporting Category. When we talk about category fraud, it is moving from more difficult to less difficult field. Like Alicia Vikander did in 2015. You can't claim Lily/the production committed category fraud because she entered the race from a disadvantaged position.
7 minutes ago, Veltigar said:That's the trouble with these things always, you cannot compensate one "undeserved" win with another in my opinion. It just creates a domino effect. Think of all the creatives who got an award just because they never previously earned one (in this year's Oscars, you had Christopher Nolan and RDJ in that category) and had a passable entry in the competition.
That is true. However, I wouldn't call either Emma, Lily or even Sandra undeserving, each being absolutely brilliant in their respective movies. The meritocracy argument is a code word for "that's my favorite performance". And these things are profoundly subjective so we can't speak in exact terms here.
Career Oscar narratives is the oldest trick in the game. That's how we god Julianne Moore over Rosamund Pike in 2014, Laura Dern, Jamie Lee Curtis and yes... Robert Downey Jr.
11 minutes ago, Veltigar said:These wins screw other people out of awards that will then at one point will have to screw other people out of awards for their career Oscar. For example Mark Ruffalo and Ryan Gosling have both been nominated several times and are quite popular, chances are they'll shank someone in the coming years who might have been a more deserving winner.
This year was disastrous in Supporting acting categories. I can easily make two lineups with completely different actors and actresses that would be superior to the ones we got. The one that hurts me the most is Charles Melton, as he managed to be in a movie with Natalie Portman and Julianne Moore, doing all that ACTING, and he managed to steal the show. For me, the best Supporting performance of the year.
13 minutes ago, Veltigar said:I can't comment on the fact that Stone was an undeserved winner on her first turn (I haven't seen many of the other films that had female leads nominated in the year of La La Land), but this year I thought she gave far and away the best performance out of all nominated thespians (including the male performers I might add, if this was a unified category, she would have smoked Cillian Murphy on merit).
She was against Isabelle Huppert in "Elle" and Natalie Portman in "Jackie". Not mentioning not-nominated Amy Adams for "Arrival".
Yeah, there is no doubt that one can make "she was the best" across the field, even if we expand it to make performers. Cillian won because he carried our such difficult movie and turned it into a glorious success. But Emma did something far riskier, far unconventional... This was potentially career-ending performance, and she nailed i, beyond any doubt. I am really not saying she is undeserving. Not at all.
17 minutes ago, Veltigar said:So it's a shame for Gladstone, Killers of the Flower Moon and Native American representation in general, but I can place it because at least she didn't lose to an RDJ-in-Oppenheimer-type of performance.
True... I mean, I am just sad a bit today... Will be fine tomorrow
But, yeah... At least Lily didn't lose to something like JLC or RDJ.
-
Infused myself with some coffee and now I have a break... Time to recapitulate
So, 17/23. Not great, not terrible. Allowed myself into thinking too much about Academy and how they vote and opted for Spiderverse instead of "The Boy and the Heron". Expected to see some spreading the wealth in Costume, Production and MakeUp and POOR THINGS just swept like they did in BAFTA. And the one that really stings is Sound when I went with OPPENHEIMER instead of rightful winner and probably the most inspiring choice of the night - THE ZONE OF INTEREST. Last mistake was Gladstone over Stone, but that was a tossup.
So... OPPENHEIMER did a bare minimum. This is not exactly a sweep, given they won 7 Oscars out of 13 nominations. POOR THINGS was obviously second, given Actress + tech combo. OPPENHEIMER didn't win anything it wasn't supposed to win, like Screenplay and Sound, which really shows that even that love had its limits.
ANATOMY OF A FALL won big - Original Screenplay. Justine Triet certainly took her vengeance on French Oscar committee - she has won trifecta (movie, directing, screenplay) at European Film Awards, Cesar Awards and won in screenplay categories at both BAFTA and Oscars. This will be one of the greatest embarrassments of French Oscar committee for quite some time.
Inspiring wins for Miyazaki's "The Boy and the Heron" and Sound for "The Zone of Interest". Probably international bloc had a huge impact here and I am thrilled about it. Despite being wrong in my prediction
It really seems that Academy spread the wealth rater nicely this year, unlike the last year. Eight out of ten nominated movies went with at least one award, with PAST LIVES and MAESTRO going home empty-handed. Huge departure from last year when EEAAO went 6/8 above-the-line and Women Talking winning Adaoted Screenplay. This year, we had 5 movies winning in eight above-the-line categories. Honestly, this year's set of winners - far superior than last year's.
And now acting categories... No surprises with Randolph, Downey and Murphy. Not a hater of RDJ, but I think it's good we'll finally stop seeing him for some time. As for Best Lead Actress, can't say Emma was undeserving but this really reinstate the idea that POC actress needs a Second Coming of Christ to win an Oscar in this category. And please spare me the speech of meritocracy as I can easily name 10 white women who undeservedly won, including Emma (her first Oscar). And that is just in the last 15 years. Undoubtedly, Emma is worthy winner, she was absolutely brilliant. And yes, she was rather courageous in doing Bella, so one can't complain here. And I am not, just being sad for Lily, who really had absolutely amazing performance. Never mind me, just licking my wounds...
Even I know Emma is more than deserving winner.
As for ceremony, my god was Kimmel awful. Some of the bits were funny - like Arnold Schwarzenegger, Danny DeVito and Michael Keaton and Emily Blunt and Ryan Gosling. Not sure about John Cena. And "I'm Just Ken" was absolutely smashing. That was probably one of the best Oscar performances in recent history.
Scorsese went 0 out of 10 for the third time. Truly unbelievable. Another one bites the dust
And forgot... In terms of relevance for Oscar predicting, BAFTA returned with a vengeance. After going 0 out of 8 in above-the-line categories, this year the overlap between BAFTA and Oscars is almost 100%. I think they only differ in Visual Effects - BAFTA giving it to POOR THINGS, Oscars to GODZILLA MINUS ONE. BAFTA matters people. Never doubt the Brits.
-
Best Picture
- American Fiction
- Anatomy of a Fall
- Barbie
- The Holdovers
- Killers of the Flower Moon
- Maestro
- Oppenheimer
- Past Lives
- Poor Things
- The Zone of Interest
-
Best Lead Actor
- Bradley Cooper, “Maestro”
- Colman Domingo, “Rustin”
- Paul Giamatti, “The Holdovers”
- Cillian Murphy, “Oppenheimer”
- Jeffrey Wright, “American Fiction”
Best Director
- Justine Triet, “Anatomy of a Fall”
- Martin Scorsese, “Killers of the Flower Moon”
- Christopher Nolan, “Oppenheimer”
- Yorgos Lanthimos, “Poor Things”
- Jonathan Glazer, “The Zone of Interest”
Best Lead Actress
- Annette Bening, “Nyad”
- Lily Gladstone, “Killers of the Flower Moon”
- Sandra Hüller, “Anatomy of a Fall”
- Carey Mulligan, “Maestro”
- Emma Stone, “Poor Things”
-
Best Sound
- “The Creator”
- “Maestro”
- “Mission: Impossible - Dead Reckoning Part One”
- “Oppenheimer”
- “The Zone of Interest”
Best Original Score
- “American Fiction”
- “Indiana Jones and the Dial of Destiny”
- “Killers of the Flower Moon”
- “Oppenheimer”
- “Poor Things”
Best Original Song
- “The Fire Inside” from “Flamin’ Hot”
- “I’m Just Ken” from “Barbie”
- “It Never Went Away” from “American Symphony”
- “Wahzhazhe (A Song for My People),” “Killers of the Flower Moon”
- “What Was I Made For?” from “Barbie”
-
Best Documentary Short
- “The ABCs of Book Banning”
- “The Barber of Little Rock”
- “Island In Between”
- “The Last Repair Shop”
- “Nǎi Nai & Wài Pó”
Best Documentary Feature
- “Bobi Wine: The People’s President”
- “The Eternal Memory”
- “Four Daughters”
- “To Kill a Tiger”
- “20 Days in Mariupol”
Best Cinematography
- “El Conde”
- “Killers of the Flower Moon”
- “Maestro”
- “Oppenheimer”
- “Poor Things”
Best Live-Action Short
- “The After”
- “Invincible”
- “Knight of Fortune”
- “Red, White and Blue”
- “The Wonderful Story of Henry Sugar”
-
Best Supporting Actor
- Sterling K. Brown, “American Fiction”
- Robert De Niro, “Killers of the Flower Moon”
- Robert Downey Jr., “Oppenheimer”
- Ryan Gosling, “Barbie”
- Mark Ruffalo, “Poor Things”
Best Visual Effects
- “The Creator”
- “Godzilla Minus One”
- “Guardians of the Galaxy Vol. 3”
- “Mission: Impossible — Dead Reckoning Part One”
- “Napoleon”
Best Film Editing
- “Anatomy of a Fall”
- “The Holdovers”
- “Killers of the Flower Moon”
- “Oppenheimer”
- “Poor Things”
-
Best International Feature
- “The Teachers’ Lounge,” Germany
- “Io Capitano,” Italy
- “Perfect Days,” Japan
- “Society of the Snow,” Spain
- “The Zone of Interest,” United Kingdom
-
Best Makeup & Hairstyling
- “Golda”
- “Maestro”
- “Oppenheimer”
- “Poor Things”
- “Society of the Snow”
Best Production Design
- “Barbie”
- “Killers of the Flower Moon”
- “Napoleon”
- “Oppenheimer”
- “Poor Things”
Best Costume Design
- “Barbie”
- “Killers of the Flower Moon”
- “Napoleon”
- “Oppenheimer”
- “Poor Things”
-
Best Original Screenplay
- “Anatomy of a Fall”
- “The Holdovers”
- “Maestro”
- “May December”
- "Past Lives"
Best Adapted Screenplay
- “American Fiction”
- “Barbie”
- “Oppenheimer”
- “Poor Things”
- “The Zone of Interest”
-
Best Animated Short
- “Letter to a Pig”
- “Ninety-Five Senses”
- “Our Uniform”
- “Pachyderme”
- “War Is Over! Inspired by the Music of John & Yoko”
Best Animated Feature
- “The Boy and the Heron”
- “Elemental”
- “Nimona”
- “Robot Dreams”
- “Spider-Man: Across the Spider-Verse”
-
Best Supporting Actress
- Emily Blunt, “Oppenheimer”
- Danielle Brooks, “The Color Purple”
- America Ferrera, “Barbie”
- Jodie Foster, “Nyad”
- Da’Vine Joy Randolph, “The Holdovers”
-
Current running order for tonight’s Oscars
Spoiler- Supporting Actress
- Animated Short
- Animated Film
- Original Screenplay
- Adapted Screenplay
- Makeup & Hair
- Production Design
- Costume Design
- International Film
- Supporting Actor
- Visual Effects
- Editing
- Documentary Short
- Documentary
- Cinematography
- Live-Action Short
- Sound
- Original Score
- Original Song
- Lead Actor
- Director
- Lead Actress
- Picture
-
5 minutes ago, Luzifer's right hand said:
Anatomy of a Fall had enough English language content to qualify I see.
A great movie. Deserving of multiple Oscars I feel.
There is no prerequisite in terms of language to be in Best Picture category. Only to have screened in American cinemas.
-
FYI: Oscars start earlier this year!
The ceremony begins at 04:00 pm PST / 07:00 pm EST
For European users: 11:00pm GMT/ 00:00am CET
HOST: Jimmy Kimmel
MUSICAL PERFORMANCES:
SpoilerEach of the tracks nominated for Best Original Song will be performed during this year's ceremony. The songs and performers are as follows (in alphabetical order by song title):
-
"The Fire Inside" from Flamin' Hot
- Music and Lyric by Diane Warren
- Performed by Becky G
-
"I'm Just Ken" from Barbie
- Music and Lyric by Mark Ronson and Andrew Wyatt
- Performed by Ryan Gosling and Mark Ronson
-
"It Never Went Away" from American Symphony
- Music and Lyric by Jon Batiste and Dan Wilson
- Performed by Jon Batiste
-
"Wahzhazhe (A Song For My People)" from Killers of the Flower Moon
- Music and Lyric by Scott George
- Performed by Scott George and the Osage Singers
-
"What Was I Made For?" from Barbie
- Music and Lyric by Billie Eilish and Finneas O'Connell
- Performed by Billie Eilish and Finneas O'Connell
PRESENTERS:
SpoilerMahershala Ali
Bad Bunny
Emily Blunt
Nicolas Cage
Jamie Lee Curtis
Cynthia Erivo
America Ferrera
Sally Field
Brendan Fraser
Ryan Gosling
Ariana Grande
Chris Hemsworth
Ben Kingsley
Dwayne Johnson
Michael Keaton
Regina King
Jessica Lange
Jennifer Lawrence
Melissa McCarthy
Matthew McConaughey
Kate McKinnon
Rita Moreno
John Mulaney
Lupita Nyong’o
Catherine O’Hara
Al Pacino
Michelle Pfeiffer
Ke Huy Quan
Issa Rae
Tim Robbins
Sam Rockwell
Octavia Spencer
Steven Spielberg
Mary Steenburgen
Anya Taylor-Joy
Charlize Theron
Christoph Waltz
Forest Whitaker
Michelle Yeoh
Ramy Youssef
ZendayaWHERE TO WATCH?
International viewers can consult this list to find out where to watch the Oscars around the world.
-
"The Fire Inside" from Flamin' Hot
-
1 hour ago, Cashless Society said:
But Cannes has proven to be the most significant this decade (Parasite, Drive My Car, Triangle of Sadness and now Anatomy of a Fall).
Actually no, That title still goes to Venice.
- 2023 - Poor Things, Maestro, El Conde, Io Capitano, Society of the Snow
- 2022 - The Banshees of Inisherin, TAR, All the Beauty and the Bloodshed, Blonde, The Whale, Living
- 2021 - Power of the Dog, Spencer, Parallel Mothers, Dune
- 2020 - Nomadland, Pieces of a Woman
Nomadland and Poor Things won Golden Lions in their respective years. Nomadland won Best Picture, PT got 11 nominations
Vanessa Kirby, Penelope Cruz and Cate Blanchett all won Volpi Cup - all nominated for Oscar
All the Beauty and the Bloodshed - also won Golden Lion, nominated for Best Documentary
Venice is far more appealing to English-speaking producers who intend to engage in Oscar race, simply because of the calendar. It is the perfect place to kickstart the Oscar campaign. And the list of winners is usually nominated and even win Oscar in respected categories.
Cannes is more internationally oriented (not that Venice isn't). Plus it is in May, so it is very hard to keep the momentum. Not that it doesn't happen, it is still one of the biggest, if not the biggest festival in the world.
-
The 2024 Asian Film Awards - Winners
SpoilerBest Film
- “12.12: The Day” (South Korea)
- “Evil Does Not Exist” (Japan)
- “Paradise” (Sri Lanka, India)
- “Perfect Days” (Japan)
- “Snow Leopard” (China)
Best Director
- KIM Sung-soo for “12.12: The Day” (South Korea)
- GU Xiaogang for “Dwelling by the West Lake” (China)
- HAMAGUCHI Ryusuke for “Evil Does Not Exist” (Japan)
- KORE-EDA Hirokazu for “Monster” (Japan)
- Prasanna VITHANAGE for “Paradise” (Sri Lanka, India)
Best New Director
- Khagvadulam PUREV-OCHIR for “City of Wind” (France, Mongolia, Portugal, Netherlands, Qatar, Germany)
- PHAM THIEN An for “Inside the Yellow Cocoon Shell” (Vietnam, Singapore, France, Spain)
- Dominic SANGMA for “Rapture” (India, China, Switzerland, Qatar, Netherlands)
- Amanda Nell EU for “Tiger Stripes” (Malaysia, Taiwan, Singapore, France, Germany, Netherlands, Indonesia, Qatar)
- Nick CHEUK for “Time Still Turns the Pages” (Hong Kong)
Best Actor
- HWANG Jung-min in “12.12: The Day” (South Korea)
- WU Kang-Ren in “Abang Adik” (Malaysia)
- SHEN Teng in “Full River Red” (China)
- YAKUSHO Koji in “Perfect Days” (Japan)
- Tony LEUNG Chiu Wai in “The Goldfinger” (Hong Kong, China)
Best Actress
- JIANG Qinqin in “Dwelling by the West Lake” (China)
- JUNG Yu-mi in “Sleep” (South Korea)
- ZHOU Dongyu in “The Breaking Ice” (China, Singapore)
- Audrey LIN in “Trouble Girl” (Taiwan)
- KIKUCHI Rinko in “658km Yoko” (Japan)
Best Supporting Actor
- PARK Hoon in “12.12: The Day” (South Korea)
- Jack TAN in “Abang Adik” (Malaysia)
- NAKAMURA Shido in “Kubi” (Japan)
- PARK Jung-min in “Smugglers” (South Korea)
- Sean WONG in “Time Still Turns the Pages” (Hong Kong)
Best Supporting Actress
- HAMABE Minami in “Godzilla Minus One” (Japan)
- Rachel LEUNG in “In Broad Daylight” (Hong Kong)
- TSUTSUI Mariko in “Last Shadow at First Light” (Singapore, Japan, Slovenia, The Philippines, Indonesia)
- GO Min-si in “Smugglers” (South Korea)
- WAN Fang in “Snow in Midsummer” (Malaysia, Taiwan, Singapore)
Best Newcomer
- Tergel Bold-Erdene in “City of Wind” (Mongolia, France, Portugal, Netherlands, Qatar, Germany)
- Awat RATANAPINTHA in “Doi Boy” (Thailand, Cambodia)
- Yoyo TSE in “Fly Me to the Moon” (Hong Kong)
- WANG Yibo in “Hidden Blade” (China)
- SHIRATA Mihaya in “Last Shadow at First Light” (Singapore, Japan, Slovenia, The Philippines, Indonesia)
Best Screenplay
- HAMAGUCHI Ryusuke for “Evil Does Not Exist” (Japan)
- SAKAMOTO Yuji for “Monster”
- Prasanna VITHANAGE and Anushka SENANAYAKE for “Paradise” (Sri Lanka, India)
- Jason YU for “Sleep” (South Korea)
- Pema Tseden for “Snow Leopard” (China)
Best Editing
- KIM Sang-bum for “12.12: The Day” (South Korea)
- HAMAGUCHI Ryusuke, and YAMAZAKI Azusa for “Evil Does Not Exist” (Japan)
- Matthieu LACLAU for “Only the River Flows” (China)
- A. Sreekar PRASAD for “Paradise” (Sri Lanka, India)
- Nick CHEUK, Keith CHAN Hiu Chun for “Time Still Turns the Pages” (Hong Kong)
Best Cinematography
- LEE Mo-gae for “12.12: The Day” (South Korea)
- KITAGAWA Yoshio for “Evil Does Not Exist” (Japan)
- CHENGMA Zhiyuan for “Only the River Flows” (China)
- Azamat DULATOV for “Qas” (Kazakhstan)
- Matthias DELVAUX for “Snow Leopard” (China)
Best Original Music
- UMEBAYASHI Shigeru for “Dwelling by the West Lake” (China)
- ISHIBASHI Eiko for “Evil Does Not Exist” (Japan)
- Akmaral MERGEN for “Qas” (Kazakhstan)
- Anon Ch Momin for “Rapture” (India, China, Switzerland, Qatar, Netherlands)
- LEE Dong-june for “1947 Road to Boston” (South Korea)
Best Costume Design
- Tim YIP for “Creation of the Gods I: Kingdom of Storms” (China)
- KUROSAWA Kazuko for “Kubi” (Japan)
- YOON Jung-hee for “Smugglers” (South Korea)
- Elaine NG for “Snow in Midsummer” (Malaysia, Taiwan, Singapore)
- MAN Lim Chung for “The Goldfinger” (Hong Kong, China)
Best Production Design
- CHO Hwa-sung for “Concrete Utopia” (South Korea)
- MITSUMATSU Keiko for “Monster” (Japan)
- ZHANG Menglun for “Only the River Flows” (China)
- Daktse Drundrup for “Snow Leopard” (China)
- Eric LAM for “The Goldfinger” (Hong Kong, China)
Best Visual Effects
- EUN Jae-hyun for “Concrete Utopia” (South Korea)
- Douglas Hans SMITH for “Creation of the Gods I: Kingdom of Storms” (China)
- YAMAZAKI Takashi, SHIBUYA Kiyoko, TAKAHASHI Masaki, NOJIMA Tatsuji for “Godzilla Minus One” (Japan)
- JIN Jong-Hyun for “The Moon” (South Korea)
- Allen WEI, Ahdee CHIU, DING Yanlai, Eric XU for “The Wandering Earth II” (China)
Best Sound
- KIM Hyun-sang for “Concrete Utopia” (South Korea)
- YANG Jiang, ZHAO Nan for “Creation of the Gods I: Kingdom of Storms” (China)
- INOUE Natsuko for “Godzilla Minus One” (Japan)
- Vuong Gia Bao, Xander TOH for “Inside the Yellow Cocoon Shell” (Vietnam, Singapore, France, Spain)
- TU Duu-Chih, WU Shu-Yao for “Snow in Midsummer” (Malaysia, Taiwan, Singapore)
AFA Next Generation Award
- ZHAO Liying, actor (China)
Excellence in Asian Cinema
- LEE Young-ae, actor (Korea) and SUZUKI Ryuhei, actor (Japan)
Asia Rising Star Award:
- Win Metawin, actor (Thailand)
Highest Grossing Asian Film: “Full River Red” dir. ZHANG Yimou (China)
Lifetime Achievement Award: ZHANG Yimou, director (China)
-
Ah, it's not Oscar season if we don't get drama last minute
Just a reminder, THE HOLDOVERS is nominated in Outstanding Original Screenplay at the Oscars.
Here is a Variety article.
-
PREVIOUSLY NOMINATED DIRECTORS AND THEIR MOVIES AT THE OSCARS
Martin Scorsese's movies at the Oscars (movies he has directed) - 10 nominations, 1 win in Directing
- Killers of the Flower Moon: 10 nominations
- The Irishman: 10 nominations
- Silence: 1 nomination
- The Wolf of Wall Street: 5 nominations
- Hugo: 11 nominations, 5 wins
- The Departed: 5 nominations, 4 wins, including Best Film and Best Director
- The Aviator: 11 nominations, 5 wins, including Cate Blanchett for Best Supporting Actress
- Gangs of New York: 10 nominations
- Kundun: 4 nominations
- Casino: 1 nomination
- The Age of Innocence: 5 nominations, 1 win
- Cape Fear: 2 nominations
- Goodfellas: 6 nominations, 1 win - Joe Pesci for Best Supporting Actor
- The Last Temptation of Christ: 1 nomination
- The Color of Money: 4 nominations, 1 win - Paul Newman for Best Lead Actor
- Raging Bull: 8 nominations, 2 wins, including Robert De Niro for Best Lead Actor
- Taxi Driver: 4 nominations
- Alice Doesn't Live Here Anymore: 3 nominations, 1 win - Ellen Burstyn for Best Lead Actress
Christopher Nolan's movies at the Oscars (movies he has directed) - 2 nominations for Directing
- Oppenheimer: 13 nominations
- Tenet: 2 nominations, 1 win
- Dunkirk: 8 nominations, 3 wins
- Interstellar: 5 nominations, 1 win
- Inception: 8 nominations, 4 wins
- The Dark Knight: 8 nominations, 2 wins, including Heath Ledger for Best Supporting Actor
- The Prestige: 2 nominations
- Batman Begins: 1 nomination
- Memento: 2 nominations
Yorgos Lanthimos' movies at the Oscars (movies he has directed) - 2 nominations for Directing
- Poor Things: 11 nominations
- The Favourite: 10 nominations, 1 win - Olivia Colman for Best Lead Actress
- The Lobster: 1 nomination
- Dogtooth: 1 nomination
-
And of course... There's HONEST TRAILER of Oscar nominees
TV AWARDS SEASON 2023/2024 (Update: Writers Guild of America - WINNERS)
in Entertainment
Posted · Edited by Mladen
The 2023 Writers Guild Of America (WGA) Winners
DRAMA SERIES
COMEDY SERIES
NEW SERIES
LIMITED SERIES
TV & NEW MEDIA MOTION PICTURES
ANIMATION
EPISODIC DRAMA
EPISODIC COMEDY
COMEDY/VARIETY TALK SERIES
COMEDY/VARIETY SKETCH SERIES
COMEDY/VARIETY SPECIALS
QUIZ AND AUDIENCE PARTICIPATION
DAYTIME DRAMA
CHILDREN’S EPISODIC, LONG FORM AND SPECIALS
SHORT FORM NEW MEDIA
DOCUMENTARY SCRIPT
NEWS SCRIPT – REGULARLY SCHEDULED, BULLETIN, OR BREAKING REPORT
NEWS SCRIPT – ANALYSIS, FEATURE, OR COMMENTARY
DIGITAL NEWS