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Little Valkyrie

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About Little Valkyrie

  • Rank
    Landed Knight

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  • Gender
    Female
  • Location
    United States
  • Interests
    Fantasy is my leisure genre of choice, as I usually work on High Art and all of that. I'm always interested in the metaphysics of a fantasy world.

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  1. Little Valkyrie

    Comics XIII

    IIRC, the motivation is that Lazarus would be DOA if it were going by the sales of the singles, but it has a steady amount of trade sales that play out over a longer period of time (as opposed to how singles are ordered by shops and sold and not kept on the shelf for an extended period). So reorienting the work flow toward the trade waiters makes sense for both the creative and the money side of things. I would worry about the pacing (I haven't read any of this book, but I've read enough of Rucka to know that he likes to take his time/holy decompression, Batman) in this extended format--some people really make it worth the while, some people need the tighter structure of the monthly to not indulge themselves.
  2. Little Valkyrie

    SPACE OPERA: It will ROCK YOU IN THE FACE

    Fandom norms have changed a lot since those LJ days, but Valente was one of the first fandom people I can think of who actively monetized access to her non-professionally published fiction (through Omikuji Project) as well as generally selling access to her online self as the authentic author at work, engaged with her public, "anchorite of the internet". Patreon didn't exist at the time, and asking for money within fandom was a lot more fraught than it's come to be now, for a variety of reasons. And Omikuji was messy as all get out--things didn't come out on time, people never got things, and much of the time the unique fiction readers were signed up for was stuff she'd already sold professionally and would be coming out that way. So you generate a cult of personality fandom, you get judged in part by how you act, and if you mobilize your fandom to abuse a travel agency because you didn't get the right visa? It's the kind of thing people remember. If this is OT/against forum rules, I'll delete.
  3. Little Valkyrie

    SPACE OPERA: It will ROCK YOU IN THE FACE

    >explanations go on for paragraph-length sentences. So it's typical Cat Valente and your experience of it will be deeply dependent on whether you like her ultraviolet style of writing? Thanks for the review--I love the concept, but every time I try one of her books that I'd love the concept on, it's the same experience.
  4. Little Valkyrie

    March 2018 reads: share your latest books read

    I found Red Knight choppy and very slow going at first and then something kind of clicked and it flowed along. But I can't think of anything I've read recently that packs in as much meaningful detail about the world and the rhythms of life--Cameron's re-enactor background really shows there. You know he's actually worked out all of those distances and logistics.
  5. Little Valkyrie

    Comics XIII

    As best I can tell, some of the Wildstorm characters also exist in the DCU with somewhat different histories etc. (N52 Stormwatch was a book that somehow no one could make work, and is best left in the past), but The Wild Storm is off in its own Earth. In fact, in the Michael Cray book, there are Wildstorm versions of DCU mainline characters, which isn't a conceit I'm crazy about and the execution has been meh, but it's a thing. As someone who's always been meh on The Authority in part for how it came to take over WS, it's nice that Ellis has been spreading the love around--not a hint of Apollo or Midnighter yet, but lots of the C.A.T.S. and others.
  6. Little Valkyrie

    Comics XIII

    DC owns everything Wildstorm lock stock and barrel. The Ellis reboot is pretty good stuff, Jon Davis-Hunt really gives it a modern and coherent feel. And it's more of a bonus feel if you happen to have read a shitload of 90s stuff than any kind of prereq.
  7. Little Valkyrie

    Comics XIII

    I'm on and off peeking in on Saga and I understand on a certain level why it's the juggernaut that it is but I don't think it's actually very good, no. Sarah Horrocks, who has a very distinctive POV on comics I don't always agree with but always appreciate, did a good rundown on it from an art-centric perspective here: http://whitelippedviper.tumblr.com/post/165251937847/pop-comics-4-saga-46-come-mush-with-me
  8. Little Valkyrie

    Comics XIII

    I don't read BKV books until they're done because IME he has a sterling track record of 1) middle-run slumps 2) Gainax-class fuck you endings. But that Cliff Chiang art...
  9. Little Valkyrie

    Comics XIII

    It's pretty much what I expected from an artist-driven book when the artist is Tony Daniel. We'll see if any of the others are more compelling and less ~*~SPLASH PAGES!!!~*~
  10. Little Valkyrie

    I like the story but… complaints about style/substance/etcetera

    It makes sense to me because I come from the school of reader-response theory, wherein there is a fascinating gap between "what is on the page" and "what does it mean to an individual reader" and the creation of meaning is a collaborative effort. Two readers can read a passage that's, say, describing a character's internal monologue, and bring a different interpretation to it. "I think she's lying to herself, given what she did earlier in the story" and "Wow, she's so strong and forthright" can, depending on the writing, both be makeable arguments. So people read a story and fill in blanks on their own to make things more satisfactory all the time, which may well compensate for various aspects of the writing. To piggyback on another thread, infinite annoying badly written things in The Wheel of Time (some of the quirks of dialogue, focus on spanking, braid-tugging), but I'm not gonna lie and say I didn't avidly read the adventures and delight in reaching the ending, and even enjoy characters who were written to do said annoying things.
  11. Little Valkyrie

    NK Jemisin - any good?

    Broken Earth is a serious level up from her previous works, but I'm well on record on this board for having disliked THTK. And yet I can see it as a growth from there to the now, not as a "changed everything/hard right turn" development as a writer.
  12. Little Valkyrie

    November 2017: What was good this year?

    That's a very accurate and honest review to my experience of the book. My main question for a would-be reader would be: do you want a strongly directed plot with urgency and forward motion to it? This book is absolutely not that and it ends and apparently there will be another. But it's not an uninteresting experience in style.
  13. Little Valkyrie

    Comics XIII

    I dunno, I still don't get it--DC is doing really well for itself right now, and Bendis-qua-Bendis as a selling point is something I'm pretty unconvinced by. Sure, way back USM was a juggernaut, but that was in a different market and also hit the zeitgeist incredibly well. Much the same with his Avengers: it's not shocking that you could boost the sales of a venerable but never top-shelf book by adding Spider-Man and Wolverine to the team. But a number of his personal pet projects you might expect to sell on his name didn't, and CW2 was just godawful. So I wonder: did he jump or was he pushed? Maybe we'll find out in a few years. (I should add and be very clear: I have an incredibly low opinion of Bendis as a writer, which I am happy to discuss in specific detail. This is kind of a nightmare scenario for me as a fan, except he'll probably end up on a Batbook.)
  14. The Twenty Palaces situation is a good example of working with what you got--the author explained clearly that sales were not there so we weren't getting another one, but the individual story of the book was wrapped up. Yes, there were major revelations in the book itself that made me go "holy crap" and I'd want to know more about, but it's the kind of thing wherein he could come back to it later if numbers and time permit and I'd pick it back up. Same thing with Black Sun's Daughter--do I want more given what happened, you bet. But they're both sitting at a resting point. Wurts I just know is very, very slow and I pick them up again once I'm two behind, because I discovered a while back that I never like the most recent book when I first read it, but I like it after I've read the following one. This is probably just me. Rawn--every few years we hear a peep that she's working on it, but I think the remaining fandom just wants to know some of the withheld details, by now.
  15. Little Valkyrie

    Comics XIII

    Great, now it's time for the speculation on "What book that I would otherwise like is Bendis going to shit up with his inability to direct a plot, his maybe-slightly-more-than-one character voice, and wait, I don't actually know what DC stories he's read and will lean upon repeatedly". Sigh. Still, something must be deeply weird/wrong at Marvel for him to leave a place where he's gotten to do everything he wants with very little editorial oversight.
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