bgona Posted April 20, 2012 Share Posted April 20, 2012 So great and so good as ever!!!Things that puzzle me:- Sansa calls Marillion the dead man. Even staying him alive. Why try to give us GRRM that idea that is a dead man?- Who was the bard that stayed 6 months? Any guess?- Marillion sings over Dance of Dragons (Daenerys), Jonquil and Florian (always that references brings to me Sansa), Jenny of Oldstonnes and the Prince of Dragonfly (I don´t now why but I think about Jenny and Theon, but I don´t remember about was that song), treasons (Jon Snow maybe, not at all sure), cruel murderes (Tyrion and Tywin, Devan, the Freys), hanged persons (Lady Stoneheart), bloody revenges (Arya), pain and sadness (Brienne and Jaime, I don´t know why but always feel kind of sad with her, but also can be Bran). I don´t know but I was reading about the songs all these people came to my mind.- I am concern about Sansa asking Petyr to silence Marillion. Does she realize what she was asking?- Sansa is puzzle by all that Lysa said before dying.- It is a constant in Sansa and people interacting her to have a duality: Alayne, Petyr-LF).- I hate the translated name of Robert (SR) when Sansa is speaking to him in Spanish Robalito (I don´t in English).- Sansa discription of the High Hall demostrates all her apprehension. It is all disgusting, as when she discribed Joffrey fat lips after beating.- Petyr let Marillion sing, so he can lie. All sings are lies. A mockingbird sings (so tells lies). Sansa likes songs. That make some sense to any?- Petyr hold Sansa wrist at the end. As when The Hound holded her wrist. That kind of touch seems as a sexual desire touch. Link to comment Share on other sites More sharing options...
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