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About lancerman

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  1. lancerman

    If Robert’s Rebellion was built on a lie,

    I mean it kinda did. Brandon went to King’s Landing on the conceit that Rheagar kidnapped his sister which put everything in motion. If not for the idea that Rheagar kidnapped Lyanna the war doesn’t happen. Several other things happened to officially start the war, but the snowball started with that.
  2. lancerman

    Casterly Rock Why?

    There are several reasons to attack Casterly Rock. One it is seen as the Lannister base of power and could significantly kill moral if it is lost. It's a strategically advantageous location as keep that is difficult to siege and it's a spot where with the right number of troops and a steady stream of supplies it could be a region where Dany could hold it for a long time without too much trouble, especially if the idea is that Lannister's would dedicate a tremendous amount of resources to reclaim it. It's like Storms End in Robert's Rebellion. The army of the Reach which was massive spent almost the entire war stuck trying to claim it and it tied up considerable Targaryen banners that could have been used elsewhere. Having the Westerlands, DragonStone, Reach, and Dorne strategically make Cersei's job a lot harder. Even if you grant Cersei Storms End, it's basically the Stormlands/Crownlands/Riverlands (the latter of which is a complete disaster) all locked on one side against the Westerlands and Reach to the West, DragonStone to the East, Dorne to the South. Then to the North the Northerners and the Vale pretty much create a box to attack Cersei. From there it would be very easy to take the Riverlands and cost the Lannisters all the forces it took too hold Riverrun. Now Cersei only has King's Landing and if you grant it Storms End to defend. Which means you are pretty much forcing Euron's Iron Fleet to defend King's Landing from Blackwater Bay, boxing them in even more (or Shipbreaker Bay, which could end up being more trouble than it's worth). Also the other advantage is the idea that you cut off the Lannister's from their gold supply. However, the only counter is what Jamie did. Flagarantly abandon Casterly Rock so there is no moral loss over ceding it. Use the Iron Fleet to trap a good portion of Dany's troops in a now useless area, go over to the Reach with your trump card in Tarly and whichever banners follow him, take that and have a huge resource of supplies and land. From there you have all of central Westeros and you trapped Dany in two strongholds on the other side of the continent where she would have to risk it. Also losing Dorne makes that more appealing because a southern assault is taken off the table.
  3. lancerman

    Cogman Developing 5th Prequel Series

    Several things, but first and foremost a prequel from Cogman would have the benefit of being a rough outline of a sequence of events. Game of Thrones started on a very specific narrative path predetermined by the books. Small deviations had major consequences later down the line. The less clarity they had the more general the plot became and it showed in that the story became more about playing to set pieces as opposed to plot moments. He would have more creative freedom to carve out a storyline the way he wanted and fill in gaps as opposed to figure out what the next instructions in the manual would be. Also Game of Thrones is a massive show even compared to some pretty big shows on television. It's too much to ask that many actors and key figures to wait around while they figure out how to proceed. A lot of fans don't appreciate how many moving pieces go into this. This isn't the Sopranos or Breaking Bad where you are filming in the same location and have a core group of actors generate most of the significant screen time and everyone else can be flown out for a single day of shooting. If nothing else, it's the most ambitious show that's ever been shot and by a significantly greater scale than probably any show ever created. It's not like the Wire where you could wait and get the same several actors to shoot scenes in Baltimore and fly people in out when you needed them. I hate to keep harping on this but I don't think anybody would have done much better aside from GRRM who at least could apply his dialogue and a clearer idea of his vision to it, but even that's debateable. One of the last episodes he wrote was one of the worst in the series up to that point. The show started having quality issues in season 5, and they adapted the two books which is where quality issues also arose. The author himself wanted those two books to be one book. Again it's harder to split those books into two seasons. It would not have worked to split the cast up regionally like the books did for season 5 and season 6. And quite frankly, the plot just doesn't advance enough for each character to draw two seasons out of it. They could do it with ASOS because that book goes at a lightning fast pace and so much is accomplished from the start of the book to the end of it. That's not true of AFFC and ADWD. Name a POV character, less probably happens to them in those two books combined than ASOS. And I don't think I'm being controversial saying that the latter two books are largely considered to be of inferior quality to the former three. So it's not merely a D&D issue, it's a GRRM one too. He struggled there, he had two books that struggled to push the plot along that took him forever to figure out, and were largely less well received than the rest of the series. It's not really a surprise that the adaption of it had many of the same issues. Nobody had much of an issue with the first 4 seasons. So when the quality and story was there D&D were fine. So it's hard for me to put it entirely on them. I don't think anybody realized in 2011 when the first season was being finished that 4 years would pass and nothing would be added to the plot and they'd have to schedule a meeting so GRRM could tell them what they had left. I'd love to see Peter Jackson adapt Lord of the Rings with the caveat that he could do the Fellowship and Towers, but then for the finale he has to act like he never read Return of the King and just go off a cliffnotes summary of the ending. And that story as big as it is, is more linear.
  4. lancerman

    Cogman Developing 5th Prequel Series

    You do know it's very different taking your own vision and making a story out it from the bottom up, than it is to take someone else's vision and adapt it for television, then asked to finish the story when it's done, right? Like nobody signed up for this.
  5. Not really. He already did that. He joined the Night's Watch, he became Lord Commander, he saved the Wildlings, he retook Winterfell, he became King of the North, he is in a relationship with a Queen vying for the Iton Throne and likely impregnated her meaning his heir is a potential heir to the IT if Dany wins. At this point, he's already proven himself. It doesn't matter if he gains the other half of the country because of birthright. The story is Jon Snow's parents love set off a chain reaction that led to a two massive wars in Westeros and ultimately he rose up to be the savior of the continent and king.
  6. Does Sam count as a main character? Let's assume he does. He's the only main character who you could put near Jon in terms of any type of ranking
  7. Robert would have never rebelled. Yes Lyanna was bethrothed to Robert, but Aery's was king and Rheagar was the crown prince. Robert and Ned still didn't rebel until after there was nothing left to lose because they were marked for death.
  8. Because it makes Jon king. The lowest main character in the series who couldn't even take the name of a main House was actually the byproduct of the catalyst that began the most important war in Westeros in 300 years and ousted the longstanding dynsasty and that same character arose from nothing to being the rightful king of the whole country.
  9. lancerman

    Stephen King's IT

    Not being afraid of IT is one thing. Hurting it requires a child like belief that what you are doing can hurt IT. You have to believe a silver bullet can hurt IT. You have to believe a Ritual of Chud is the only way to kill it. IT never intended for its ability to manifest fear through the power of people believing what they are seeing could be used against IT. That last what horrified IT. Not only were these kids not a afraid. They actually worked out a way to hurt IT. And there were 7 people who could do it and gang up on him so it couldn't just pick them off one by one. IT realized there was a possibility that IT's food might be able to kill it and that threatened IT's entire existence. To the point where IT went back in hiding after nearly getting killed and gave the kids perfect lives far away from Derry, and made sure they couldn't have children. It was a one in a million scenario where the right 7 kids were guided by Gan and the Turtle and worked out how to use their friendship and belief into killing it..
  10. lancerman

    Stephen King's IT

    So part of the thing is that IT is actually two individual things. It's true form is the deadlights which is the cosmic destroyer entity opposite the creator turtle. That form still exists. It's corporeal form is essentially the Spider, but the Spider is really just a physical manifestation of the deadlights that is morphed into whatever humans can as closely conceive to it. The deadlights themselves drive people insane. It came to Derry in prehistoric times. There's literally a chapter where IT explains that by creating its corporeal form that is powered by belief, that he created an unforeseen weakness that made its physical form vulnerable. And if it's physical form can be destroyed, the entire entity is. Think of it like this. In the Christian faith, God is immortal and can't be killed, but he created himself on Earth in Jesus. Because Jesus took on all the characteristics of humans he could still be killed (albeit he could be ressurected). That's what IT did.
  11. lancerman

    Stephen King's IT

    That was the point though. It was basically a cosmic Galactus that eats universes in a multiverse created by the turtle. Then one day it realized it could get the same nourishment and satisfaction by eating a few humans and by harvesting their emotion of fear they would be as delicious too him. He basically got lazy. So he created a corporeal form and set up a haunt in one town where he could sleep and only get up once every summer every three decades to scare up a few kids and eat. The downside was he created a physical form that a) had to follow some set of rules and not be completely omnipotent (IE yes he can use the children's fear and beliefs to create forms and scenarios they fear, but they can believe something can hurt IT and it will) b ) It now has a form thatbin the correct circumstances can be killed. It just correctly gambled that it was so far above humanity that they would never defeat him because he could manipulate things however he saw fit. He just happened to run into seven kids who were guided by fate and essentially god to figure out his flaws. And they didn't even kill it then. They had to go back much weaker as adults to finish It.
  12. lancerman

    Stephen King's IT

    I actually like IT as a big time cosmic force. It accomplishes two things. One it makes the force they are facing truly insurmountable which takes the adversity to a fever pitch. Second it sneakily establishes its one weakness. If you were an omnipotent universe destroyer, but you could satisfy your hunger by creating a corporeal form to terrify and eat the weakest members of the dominant species of a single planet in a single small town for a few months and then sleep for 3 decades, why wouldn't you use your power to take the much easier existence. It just so happens, by doing so, he lessened himself just enough to create the vulnerabilities necessary to destroy him. It's the ultimate evil showing the ultimate hubris. Otherwise he's just Freddy Kruger without the dream clause.
  13. Yeah sorry I edited the post to make it more clear that I thought it was stupid and was saying it in jest.
  14. It was colder then.... idk, it's stupid and inconsistent