Jump to content

Top 10 Best Written Characters?


Pinkie Baelish

Recommended Posts

I wish I was surprised by the fact that my girl Arianne has got zero love on this thread, but, yeah, I’m use to it by now. She’s in six chapters, only three of which are in her own POV and she’s as fleshed out as some other characters are after three or four books with them. I can go on for pages about her (and I have). I wouldn’t say she’s the #1 best written character, mostly because I don’t know what that means exactly, but she’s unjustly overlooked, both as a character and as an authorial achievement.



You know who’s not overlooked as an authorial achievement? Reek. And good for him because he deserves it. But I have to say, the POV doesn’t really shine until aDwD. Theon in aCoK is average in terms of Martin’s POV characters, which still means very good, but just not on the same plane as Reek.



Eddard in aGoT. OMG, who knew a significant chunk of aSoIaF was actually a roman à clef?



Catelyn. I still haven’t quite figured her out. I know she has an internalized patriarchy issue, and it’s fascinating.



Some of Arya’s chapters in the last two books are some of the best written in the entire series, The Blind Girl is just so wonderfully lyrical, but I’m not sure if that has much to do with her character. It’s weird.



Cersei is also weird because, like, the closer I look at Arianne or Catelyn or Eddard the more nuanced and complex they become, but the closer I look at Cersei the more shallow she becomes, like all her self justifications fall away and she becomes “just”, like, not a good person. I think this was intentional, in which case, good job.



I know it’s not ten and it’s not in any kind of order.... sorry OP.


Link to comment
Share on other sites

I wish I was surprised by the fact that my girl Arianne has got zero love on this thread, but, yeah, I’m use to it by now. She’s in six chapters, only three of which are in her own POV and she’s as fleshed out as some other characters are after three or four books with them. I can go on for pages about her (and I have). I wouldn’t say she’s the #1 best written character, mostly because I don’t know what that means exactly, but she’s unjustly overlooked, both as a character and as an authorial achievement.

You know who’s not overlooked as an authorial achievement? Reek. And good for him because he deserves it. But I have to say, the POV doesn’t really shine until aDwD. Theon in aCoK is average in terms of Martin’s POV characters, which still means very good, but just not on the same plane as Reek.

Eddard in aGoT. OMG, who knew a significant chunk of aSoIaF was actually a roman à clef?

Catelyn. I still haven’t quite figured her out. I know she has an internalized patriarchy issue, and it’s fascinating.

Some of Arya’s chapters in the last two books are some of the best written in the entire series, The Blind Girl is just so wonderfully lyrical, but I’m not sure if that has much to do with her character. It’s weird.

Cersei is also weird because, like, the closer I look at Arianne or Catelyn or Eddard the more nuanced and complex they become, but the closer I look at Cersei the more shallow she becomes, like all her self justifications fall away and she becomes “just”, like, not a good person. I think this was intentional, in which case, good job.

I know it’s not ten and it’s not in any kind of order.... sorry OP.

Arianne would likely be up there, if she had more chapters. I loved your re-read, but up till now, she's been a fairly marginal character. But, that's likely to change in TWOW.

Link to comment
Share on other sites

Arianne would likely be up there, if she had more chapters. I loved your re-read, but up till now, she's been a fairly marginal character. But, that's likely to change in TWOW.

The fact that she a marginal character and is so well developed is kind of my point. But I’m not going to argue with any love from you, Sean. :love:

And how is Doran getting so much love and not her?

Link to comment
Share on other sites

I wish I was surprised by the fact that my girl Arianne has got zero love on this thread, but, yeah, I’m use to it by now. She’s in six chapters, only three of which are in her own POV and she’s as fleshed out as some other characters are after three or four books with them. I can go on for pages about her (and I have). I wouldn’t say she’s the #1 best written character, mostly because I don’t know what that means exactly, but she’s unjustly overlooked, both as a character and as an authorial achievement.

You know who’s not overlooked as an authorial achievement? Reek. And good for him because he deserves it. But I have to say, the POV doesn’t really shine until aDwD. Theon in aCoK is average in terms of Martin’s POV characters, which still means very good, but just not on the same plane as Reek.

Eddard in aGoT. OMG, who knew a significant chunk of aSoIaF was actually a roman à clef?

Catelyn. I still haven’t quite figured her out. I know she has an internalized patriarchy issue, and it’s fascinating.

Some of Arya’s chapters in the last two books are some of the best written in the entire series, The Blind Girl is just so wonderfully lyrical, but I’m not sure if that has much to do with her character. It’s weird.

Cersei is also weird because, like, the closer I look at Arianne or Catelyn or Eddard the more nuanced and complex they become, but the closer I look at Cersei the more shallow she becomes, like all her self justifications fall away and she becomes “just”, like, not a good person. I think this was intentional, in which case, good job.

I know it’s not ten and it’s not in any kind of order.... sorry OP.

I have to disagree on this, I think Theon's chapters were some of the best chapters in the books. His entire identity crisis and all it's effects is written so well into it, so subtle because Theon isn't aware of his own issues, not really, the ones that he is aware of he ignores and lies to himself about. He fails to self reflect but he is a very emotional character and everything he does/says can be traced back to some emotional issues he has. I also think it's particulary interesting to look at his entire arc as a whole, not his separate clash and dance arcs but the whole thing together because what happens to him in Dance is what eventually helps him fix his identity crisis. it's no coincidense that he gets forced into an identity he doesn't want, it's kind of the foil to him forcing an identity on himself that he wants but can't have. of course I am biased though... I mean, like you with Arianne I have written hundreds upon hundreds of pages on him and i'm not stopping anytime soon. I'm actually getting into clash in my reread now :

http://asoiaf.westeros.org/index.php/topic/120599-what-is-dead-may-never-die-a-theon-greyjoy-reread-project/ (I'd actually love it if more people joined because I haven't gotten a lot of responses... than again I wasn't expecting too many of them because he's not exactly a well liked character, but still I am putting my heart and soul into this :))

about Arianne: I think a lot of people forget about her because she indeed doesn't have a lot of chapters yet. I actually completly forgot about her when making my list (next time I should just get a list with all the characters so I don't forget any) but I do think she's interesting and deserving of more love than she gets. is your reread still going on?

Link to comment
Share on other sites

The fact that she a marginal character and is so well developed is kind of my point. But I’m not going to argue with any love from you, Sean. :love:

And how is Doran getting so much love and not her?

Doran gets quite a lot of stick as far as I can tell. And he deserves it. To my mind, he's really crippled Arianne's chances of being a successful ruler, by shutting her out of the loop for nine years, before then placing the responsibility for war and peace in her hands.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

×
×
  • Create New...